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Miraculous TRILOGY : Laxmikant-Pyarelal and Anand Bakshi

Miraculous TRILOGY : Laxmikant-Pyarelal and Anand Bakshi The most commonly and very regularly aired sentence on the Radio Stations playing Hindi Film Songs, is >>>>> गीतकार  आनंद बक्षी  और  संगीतकार  लक्ष्मीकांत-प्यारेलाल … ( The songwriter Anand Bakshi and the music director Laxmikant-Pyarelal ) and the song starts. A NUMBER ONE trio of Hindi Film Music.… Continue reading Miraculous TRILOGY : Laxmikant-Pyarelal and Anand Bakshi

Singers & Laxmikant-Pyarelal

Singers & Laxmikant-Pyarelal  LATA MANGESHKAR:– It is a known fact that Lata Mangeshkar was responsible for bringing up Laxmikant-Pyarelal. In fact Lata Mangeshkar have played major role in the entire musical career of Laxmikant-Pyarelal.  Lata has sung the maximum numbers of songs under the banner of Laxmikant-Pyarelal. Moreover Lata Mangeshkar sounds extremely melodious under the Laxmikant-Pyarelal’s giant,… Continue reading Singers & Laxmikant-Pyarelal

NONPAREIL, ELITE PEERLESS FILMMAKERS and Laxmikant-Pyarelal’s FETCHING Music.

NONPAREIL, ELITE PEERLESS  FILMMAKER’s & Laxmikant-Pyarelal’s FETCHING Music.   Honestly speaking Laxmikant-Pyarelal’s music / songs used to become extremely popular prior to the release of the films. Any single HIT song would help the movie to become super hit. In other words, Laxmikant-Pyarelal’s  music / songs used to be  one of the “star” of the… Continue reading NONPAREIL, ELITE PEERLESS FILMMAKERS and Laxmikant-Pyarelal’s FETCHING Music.

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Laxmikant-Pyarelal’s Music, Preeminent Part of Film “DOSTI”

Laxmikant-Pyarelal’s music, preeminent part of film “DOSTI”   Diwali of 1963 witnessed the emergence of the new music directors Laxmikant-Pyarelal through the super hit music of “Parasmani”.  Laxmikant-Pyarelal fourth film “DOSTI”, released around the Diwali of 1964.  It was Rajshri Films Second Film. During those time (early sixties) RajshrI films were operating from Madrass, now… Continue reading Laxmikant-Pyarelal’s Music, Preeminent Part of Film “DOSTI”

Inimitable Voice of MUKESH and Laxmikant-Pyarelal

Inimitable Voice of MUKESH & Laxmikant-Pyarelal Right from the very first film “Parasmani” (1963), Laxmikant-Pyarelal have utilized singer Mukesh’s voice as and when required.  It was not an easy task for any music directors to extract the “best” from singer Mukesh. That is why Mukeshji was a very special singer in his own way.  It… Continue reading Inimitable Voice of MUKESH and Laxmikant-Pyarelal

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Categorized as Mukesh

COLOSSAL AMALGAM ASHA BHOSLE and LAXMIKANT-PYARELAL

COLOSSAL AMALGAM  ASHA BHOSLE and LAXMIKANT-PYARELAL Asha Bhosle and Laxmikant-Pyarelal ..How this combo can be of less importance when they have churned out almost 494 songs from “Harischandra Taramati” (1963) to “Aurat Aurat Aurat” (1996). There are many GEMs composed by this combo. When you look at the ‘huge’ volume of 494 songs from this… Continue reading COLOSSAL AMALGAM ASHA BHOSLE and LAXMIKANT-PYARELAL

STERLING but BELITTLED KISHORE KUMAR and LAXMIKANT-PYARELAL

STERLING  but  BELITTLED  KISHORE KUMAR  and  LAXMIKANT-PYARELAL It was in 1964 director Shantilal Soni was making “Mr X In Bombay” starring Kishore Kumar and Kumkum in  lead role. Obviously, Kishore Kumar as a singer was the choice for all the songs of “Mr. X In Bombay”.  Laxmikant-Pyarelal had already made a high impact, in hindi… Continue reading STERLING but BELITTLED KISHORE KUMAR and LAXMIKANT-PYARELAL

How and When I Became The Fan of Laxmikant-Pyarelal.

The year was 1963, I was an 8-year-old studying in the Indian heartland of Gwalior, growing up in a family that did not allow viewing movies except for the mythological ones; the same time period when ‘Harischandra Taramati’ and ‘Sant Gyaneshwar’ were running houseful every day and every show. On the other end, Radio Ceylon,… Continue reading How and When I Became The Fan of Laxmikant-Pyarelal.