SANTOOR :: Laxmikant-Pyarelal

LAXMIKANT-PYARELAL have extensively used the mellifluous instrument from “Kashmir” named SANTOOR…. Santoor used to be the prominently played in most of the songs in the orchestra arrangements. There are many TOP HIT songs are decorated with Santoor in Laxmikant-Pyarelal’s orchestra arrangements. Till 1974, in most of the songs the SANTOOR is played by none other… Continue reading SANTOOR :: Laxmikant-Pyarelal

Gargantuan Prominency Arias :: RAJESH KHANNA :: LAXMIKANT-PYARELAL ::

:: Gargantuan Prominency Arias ::   :: RAJESH KHANNA :: LAXMIKANT-PYARELAL :: The association of Rajesh Khanna with Laxmikant-Pyarelal started from Producer / Director Raj Khosla’s “Do Raaste”, a super-duper musical blockbuster film released in 1969.  It hit the cinema hall, two weeks after “Aradhana”. Overnightly, Rajesh Khanna became a star and  also the ‘craze’… Continue reading Gargantuan Prominency Arias :: RAJESH KHANNA :: LAXMIKANT-PYARELAL ::

“Mere Hamdam Mere Dost” ELEGANCE of Laxmikant-Pyarelal

“MERE HAMDAM MERE DOST” …Laxmikant-Pyarelal’s “classic” albums:: !!! हुई शाम उनका ख़याल आ गया !!!.. “MERE HAMDAM MERE DOST”, 1968… An outstanding musical album from the legends Laxmikant-Pyarelal and Majarooh Sultanpuri. As many as “ 7 SOLO”” songs….4 lovely, melodious solo songs by Lata Mangeshkar and 3 mellifluous solo sung by Mohammad Rafi.  The film… Continue reading “Mere Hamdam Mere Dost” ELEGANCE of Laxmikant-Pyarelal

EUPHONIOUS THAUMATURGY = Lata Mangeshkar + Laxmikant-Pyarelal

EUPHONIOUS  THAUMATURGY = Lata Mangeshkar + Laxmikant-Pyarelal   Laxmikant Pyarelal were trend setters and their talent was spotted by Lata Mangeshkar at the Sureela Kala Kendra, an academy run by Mangeshkar Family in early fifties. Lata Mangeshkar and Laxmikant-Pyarelal have collaborated on ever 712 songs to form  The Most Prolific as well as Versatile Composers-Singer Team… Continue reading EUPHONIOUS THAUMATURGY = Lata Mangeshkar + Laxmikant-Pyarelal

Miraculous TRILOGY : Laxmikant-Pyarelal and Anand Bakshi

Miraculous TRILOGY : Laxmikant-Pyarelal and Anand Bakshi The most commonly and very regularly aired sentence on the Radio Stations playing Hindi Film Songs, is >>>>> गीतकार  आनंद बक्षी  और  संगीतकार  लक्ष्मीकांत-प्यारेलाल … ( The songwriter Anand Bakshi and the music director Laxmikant-Pyarelal ) and the song starts. A NUMBER ONE trio of Hindi Film Music.… Continue reading Miraculous TRILOGY : Laxmikant-Pyarelal and Anand Bakshi

Singers & Laxmikant-Pyarelal

Singers & Laxmikant-Pyarelal  LATA MANGESHKAR:– It is a known fact that Lata Mangeshkar was responsible for bringing up Laxmikant-Pyarelal. In fact Lata Mangeshkar have played major role in the entire musical career of Laxmikant-Pyarelal.  Lata has sung the maximum numbers of songs under the banner of Laxmikant-Pyarelal. Moreover Lata Mangeshkar sounds extremely melodious under the Laxmikant-Pyarelal’s giant,… Continue reading Singers & Laxmikant-Pyarelal

NONPAREIL, ELITE PEERLESS FILMMAKERS and Laxmikant-Pyarelal’s FETCHING Music.

NONPAREIL, ELITE PEERLESS  FILMMAKER’s & Laxmikant-Pyarelal’s FETCHING Music.   Honestly speaking Laxmikant-Pyarelal’s music / songs used to become extremely popular prior to the release of the films. Any single HIT song would help the movie to become super hit. In other words, Laxmikant-Pyarelal’s  music / songs used to be  one of the “star” of the… Continue reading NONPAREIL, ELITE PEERLESS FILMMAKERS and Laxmikant-Pyarelal’s FETCHING Music.

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Laxmikant-Pyarelal’s Music, Preeminent Part of Film “DOSTI”

Laxmikant-Pyarelal’s music, preeminent part of film “DOSTI”   Diwali of 1963 witnessed the emergence of the new music directors Laxmikant-Pyarelal through the super hit music of “Parasmani”.  Laxmikant-Pyarelal fourth film “DOSTI”, released around the Diwali of 1964.  It was Rajshri Films Second Film. During those time (early sixties) RajshrI films were operating from Madrass, now… Continue reading Laxmikant-Pyarelal’s Music, Preeminent Part of Film “DOSTI”

Inimitable Voice of MUKESH and Laxmikant-Pyarelal

Inimitable Voice of MUKESH & Laxmikant-Pyarelal Right from the very first film “Parasmani” (1963), Laxmikant-Pyarelal have utilized singer Mukesh’s voice as and when required.  It was not an easy task for any music directors to extract the “best” from singer Mukesh. That is why Mukeshji was a very special singer in his own way.  It… Continue reading Inimitable Voice of MUKESH and Laxmikant-Pyarelal

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