कब और कैसे ? मैं लक्ष्मीकांत-प्यारेलाल के संगीत का “फैन” बना. साल 1963 था, मैं 8 साल की उम्र में ग्वालियर में पढ़ रहा था, एक ऐसे ब्राम्हण परिवार में पला बड़ा हुआ जो पौराणिक फिल्मों को छोड़कर फिल्में देखने की अनुमति नहीं देता था. वही समय अवधि जब ‘हरिश्चंद्र तारामती’ और ‘संत ज्ञानेश्वर’ हर… Continue reading कब और कैसे ? मैं लक्ष्मीकांत-प्यारेलाल के संगीत का “फैन” बना.
Very recently I came across with Mr. Mohinder Chugh, Music Lover. I interact with him and he has converted my talks in an”interview”. Mr Mohinder has recorded this conversation from New Delhi (India) whereas I am in Atlanta (USA). Due to which sometimes sound quality has affected. But I am sure Laxmikant-Pyarelal Fans would enjoy… Continue reading My Love For Laxmikant-Pyarelal Music.
SUBSTANTIATING LAXMIKANT-PYARELAL FOR DADASAHEB PHALKE AWARD. Laxmikant-Pyarelal is the name that needs no introduction in the field of Hindi Film Music or Hindustani Music. The name represents an archive of hit film music that was churned out, non-stop, right from 1963 till the end of the century. LP, Laxmikant-Pyarelal were amongst the few Hindi Film… Continue reading SUBSTANTIATING LAXMIKANT-PYARELAL FOR DADASAHEB PHALKE AWARD.
Laxmikant-Pyarelal :: Professional Balancing Act Between Rafi and Kishore. Coincidentally, the association of Laxmikant-Pyarelal & Mohammad Rafi “DOSTI” 1964 as well as Laxmikant-Pyarelal & Kishore Kumar “MR X IN BOMBAY” 1964, started in the same year with BIG songs from super hit films. Since than Laxmikant-Pyarelal have worked unbiasedly as well as professionally and have… Continue reading Laxmikant-Pyarelal :: Professional Balancing Act :: Mohammad Rafi and Kishore Kumar.
List of Films for Laxmikant-Pyarelal:- 1963 1. Parasmani 2.… Continue reading Filmography 1963 – 1998
Ever since Laxmikant-Pyarelal entered into the Hindi Film Music in 1963 they were nominated for the Best Music Directors almost for each and every year. There are many years in which LP were nominated for 3 or more numbers of films in a particular year. At the same time LP narrowly missed the awards too.… Continue reading Laxmikant-Pyarelal and Filmfare Awards
The year was 1963, I was an 8-year-old studying in the Indian heartland of Gwalior, growing up in a family that did not allow viewing movies except for the mythological ones; the same time period when ‘Harischandra Taramati’ and ‘Sant Gyaneshwar’ were running houseful every day and every show. On the other end, Radio Ceylon,… Continue reading How and When I Became The Fan of Laxmikant-Pyarelal.