कब और कैसे ? मैं लक्ष्मीकांत-प्यारेलाल के संगीत का “फैन” बना.

कब और कैसे ? मैं लक्ष्मीकांत-प्यारेलाल के संगीत का “फैन” बना.  साल 1963 था, मैं 8 साल की उम्र में ग्वालियर में पढ़ रहा था, एक ऐसे ब्राम्हण परिवार में पला बड़ा हुआ जो पौराणिक फिल्मों को छोड़कर फिल्में देखने की अनुमति नहीं देता था. वही समय अवधि जब ‘हरिश्चंद्र तारामती’ और ‘संत ज्ञानेश्वर’ हर… Continue reading कब और कैसे ? मैं लक्ष्मीकांत-प्यारेलाल के संगीत का “फैन” बना.

SUBSTANTIATING LAXMIKANT-PYARELAL FOR DADASAHEB PHALKE AWARD.

SUBSTANTIATING  LAXMIKANT-PYARELAL  FOR  DADASAHEB PHALKE AWARD. Laxmikant-Pyarelal is the name that needs no introduction in the field of Hindi Film Music or Hindustani Music. The name represents an archive of hit film music that was churned out, non-stop, right from 1963 till the end of the century.  LP, Laxmikant-Pyarelal were amongst the few Hindi Film… Continue reading SUBSTANTIATING LAXMIKANT-PYARELAL FOR DADASAHEB PHALKE AWARD.

Laxmikant-Pyarelal :: Professional Balancing Act :: Mohammad Rafi and Kishore Kumar.

Laxmikant-Pyarelal :: Professional Balancing Act Between Rafi and Kishore. Coincidentally, the association of Laxmikant-Pyarelal & Mohammad Rafi “DOSTI” 1964 as well as Laxmikant-Pyarelal & Kishore Kumar “MR X IN BOMBAY” 1964, started in the same year with BIG songs from super hit films. Since than Laxmikant-Pyarelal have worked unbiasedly as well as professionally and have… Continue reading Laxmikant-Pyarelal :: Professional Balancing Act :: Mohammad Rafi and Kishore Kumar.

How and When I Became The Fan of Laxmikant-Pyarelal.

The year was 1963, I was an 8-year-old studying in the Indian heartland of Gwalior, growing up in a family that did not allow viewing movies except for the mythological ones; the same time period when ‘Harischandra Taramati’ and ‘Sant Gyaneshwar’ were running houseful every day and every show. On the other end, Radio Ceylon,… Continue reading How and When I Became The Fan of Laxmikant-Pyarelal.