Fascinating Hema Malini and Symphonious Laxmikant-Pyarelal

The association of actress Hema Malini with Laxmikant-Pyarelal started in 1969/1970 through the film Sharafat . It was Hema Malini’s fifth Hindi Film. In-Form duo, music directors Laxmikant-Pyarelal, Sharafat was their 70th film. In the span of 22 years, the duo has scored the music for 34 films of Hema Malini. The film was produced… Continue reading Fascinating Hema Malini and Symphonious Laxmikant-Pyarelal

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PARASMANI, 1963. The Beginning Of An “LP” Era. Laxmikant-Pyarelal

“PARASMANI” released in 1963. The film is a musical fantasy drama shot partly in Black and White and partly in colour. This was a movie that launched Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma (LAXMIKANT-PYARELAL).  Laxmikant-Pyarelal created some fascinating music which transformed an average film into a huge hit. The movie PARASMANI was more about… Continue reading PARASMANI, 1963. The Beginning Of An “LP” Era. Laxmikant-Pyarelal

लता मंगेशकर – मोहम्मद रफ़ी / लक्ष्मीकांत-प्यारेलाल, सम्मोहक तराने

लता मंगेशकर – मोहम्मद रफ़ी / लक्ष्मीकांत-प्यारेलाल, सम्मोहक तराने 1963 में अपनी पहली फिल्म “पारसमणि” से ही, लक्ष्मीकांत-प्यारेलाल ने दो महान गायकों, मोहम्मद रफ़ी – लता मंगेशकर के साथ कुछ शानदार युगल गीतों की रचना की है।  मोहम्मद रफी ने संगीत निर्देशकों लक्ष्मीकांत-प्यारेलाल के तहत सबसे ज्यादा 379 गाने गाए हैं, जिनमें 183 एकल शामिल… Continue reading लता मंगेशकर – मोहम्मद रफ़ी / लक्ष्मीकांत-प्यारेलाल, सम्मोहक तराने

लक्ष्मीकांत-प्यारेलाल और अभिनेता / अभिनेत्री की सिग्नेचर ट्यून्स (सांकेतिक धुने)

लक्ष्मीकांत-प्यारेलाल और अभिनेता / अभिनेत्री की सिग्नेचर ट्यून्स (सांकेतिक धुने)  संगीत निर्देशक लक्ष्मीकांत-प्यारेलाल ने ऐसे कई लोकप्रिय गीतों की रचना की है, जिससे फिल्मों को हिट होने के साथ-साथ फिल्म अभिनेताओं / अभिनेत्रियों की लोकप्रियता में वृद्धि हुई है। 1969 में “दो रास्ते” के लक्ष्मीकांत-प्यारेलाल जादुई सुपरहिट गीत, ‘बिंदिया चमके गी ‘ ने मुमताज को… Continue reading लक्ष्मीकांत-प्यारेलाल और अभिनेता / अभिनेत्री की सिग्नेचर ट्यून्स (सांकेतिक धुने)

साठ के दशक की दूसरी छमाही, हिंदी फिल्म संगीत, लक्ष्मीकांत-प्यारेलाल की संप्रभुता

साठ के दशक की दूसरी छमाही, हिंदी फिल्म संगीत, लक्ष्मीकांत-प्यारेलाल की संप्रभुता लक्ष्मीकांत-प्यारेलाल, वर्षवार, संगीत यात्रा (संगीत हिट फिल्में) की तुलना 1963 से 1993 तक अन्य समकालीन संगीत निर्देशकों की प्रमुख संगीत हिट फिल्मों के साथ की है। प्रत्येक वर्ष के तुलनात्मक विवरण के अंत में मैंने उन गीतों की सूची भी दी है, जिन्हें… Continue reading साठ के दशक की दूसरी छमाही, हिंदी फिल्म संगीत, लक्ष्मीकांत-प्यारेलाल की संप्रभुता

किशोर कुमार और लक्ष्मीकांत-प्यारेलाल एक बेहतरीन तिकड़ी

किशोर कुमार और लक्ष्मीकांत-प्यारेलाल 1964 में निर्देशक शांतिलाल सोनी, किशोर कुमार और कुमकुम अभिनीत “मिस्टर एक्स इन बॉम्बे” बना रहे थे। जाहिर है, एक गायक के रूप में किशोर कुमार ही “मि. एक्स इन बॉम्बे” के गाने गाएंगे. लक्ष्मीकांत-प्यारेलाल ने इससे पहले  बी ग्रेड फिल्मे  “पारसमणि”, “हरिश्चंद्र तारामती”, “सती सावित्री”, “संत ज्ञानेश्वर” और “दोस्ती” की… Continue reading किशोर कुमार और लक्ष्मीकांत-प्यारेलाल एक बेहतरीन तिकड़ी

LAXMIKANT-PYARELAL Music Forever.

Review of the Book LAXMIKANT-PYARELAL Music Forever. By P P Ramchandran. ————————————————————————— Mr. P P Ramchandran, popularly known as Mr. PPR. Mr. PPR deserves all praise for his achievement especially at 83 + age. His name should be included in gunnies book of records. He is married to books, has more than 2000 books in… Continue reading LAXMIKANT-PYARELAL Music Forever.

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Conspicuous Ternion :: Majrooh Sultanpuri & Laxmikant-Pyarelal

Conspicuous Ternion :: Majrooh Sultanpuri & Laxmikant-Pyarelal Majrooh Sultanpuri, as a songwriter, entered into film music in 1945. His contributions to the Indian film music is boundless. His lyrics effortlessly blend with the tunes, the words soothingly flowing over the notes that even after decades’ people would still murmur these numbers.  Young Laxmikant-Pyarelal made a… Continue reading Conspicuous Ternion :: Majrooh Sultanpuri & Laxmikant-Pyarelal

Laxmikant-Pyarelal & Anand Bakshi Heterogeneity Of Songs For Kishore Kumar

Laxmikant-Pyarelal & Anand Bakshi Heterogeneity Of Songs For Kishore Kumar  Laxmikant-Pyarelal made banging as well as vigorous start through the music of Parasmani, released in the fourth quarter of 1963. In the next year, 1964, after creating a Magical Hits with Lata Mangeshkar Sati-Savitri and Sant Gyaneshwar and Mohammad Rafi Dosti,  it was now time… Continue reading Laxmikant-Pyarelal & Anand Bakshi Heterogeneity Of Songs For Kishore Kumar

Mellifluous Use of FLUTE : Laxmikant-Pyarelal Canorous Orchestra

Mellifluous Use of  FLUTE :  Laxmikant-Pyarelal Canorous Orchestra  Hindi Film Music orchestra is full of various musical instruments. FLUTE is the most commonly used in most of the songs. Any devotional song featured the FLUTE. But there are also several songs in which the Flute is used in various ways.  Flute is a natural fit… Continue reading Mellifluous Use of FLUTE : Laxmikant-Pyarelal Canorous Orchestra

Laxmikant-Pyarelal experimenting “santoor”

When #Pyarelal ji told Pandit Shivkumar Sharma to play #SANTOOR with his “nails” for this melodious song. मेहबूब मेरे मेहबूब मेरे तू है तो दुनिया कितनी हंसी है !  PATTHAR KE SANAM, 1967. Songwriter Majrooh Sultanpuri. Singers:- Lata Mangeshkar & Mukesh. Laxmikant-Pyarelal have extensively used the mellifluous instrument from “Kashmir” named SANTOOR…. Santoor used to be prominently played instrument in most of… Continue reading Laxmikant-Pyarelal experimenting “santoor”

SONGWRITERS and LAXMIKANT-PYARELAL

SONGWRITERS  &  LAXMIKANT-PYARELAL  Laxmikant-Pyarelal made the debut from the film Parasmani released in 1963. Songwriters like  Farooq Qaisar, Asad Bhopali, Indeevar penned the songs. The duo’s next films Harisihchandra Taramati, (1963), Sati Savitri, Sant Gyaneshwar, Dosti, Mr X In Bombay (1964) etc saw the big names of songwriters like National Poet Kavi Pradeep, Pandit Bharat… Continue reading SONGWRITERS and LAXMIKANT-PYARELAL