Category: Symphonic Odyssey 1963-1998

  • Laxmikant-Pyarelal SYMPHONIC ODYSSEY Thirty Five Years              :: 1963 to 1998 ::

    Laxmikant-Pyarelal SYMPHONIC ODYSSEY Thirty Five Years :: 1963 to 1998 ::

    Laxmikant-Pyarelal SYMPHONIC Journey of Thirty Five Years  :: 1963 to 1998

    Have compared Laxmikant-Pyarelal, year wise, musical journey (musical hit films) with other contemporary music directorтАЩs prominent musical hit films from 1963 to 1993.  At the end of each yearтАЩs comparison statement I have also given the list of the songs, composed by  Laxmikant-Pyarelal, which appeared in Final Binaca Geetmala Standing. 

    In this topic you will know many interesting aspects for film stars, about filmfare awards, gradual change in the choice of the public and the trend change for songs and MANY many useful information and FACTS. MUST READ 

    Laxmikant-Pyarelal

    YEAR-WISE COMPARISON OF LAXMIKANT-PYARELAL MUSIC WITH OTHER CONTEMPORARY MUSIC DIRECTORS 

    Laxmikant-Pyarelal have dominated the hindi film music. LP have composed over 2800 songs, or even more, according to change of time and the situation demands, for nearly 500 films, a record, in the span of 35 years.


    Laxmikant-Pyarelal songs are available for all the Indian festivals, including Eid, Easter and Christmas. Laxmikant-Pyarelal songs are for all generations. Laxmikant-Pyarelal songs are available for any situations.


    If any Radio station starts broadcasting Laxmikant-Pyarelal songs 24 hours X 7 days, none of the songs will be repeated. Such an enormous quantity of popular songs with quality, variety and melody, as well.


    PHILOSOPHY OF SONG COMPOSITION


    One must understand how Laxmikant-Pyarelal used to compose the songs. Most of the Music directors pairs will compose the song separately / individually, under the respective banner like wise, Shankar-Jaikishan or Kalyanji-AnandjiтАж


    Interestingly, Laxmikant was the follower of Jaikishan style, not only in music but also in following JaikishanтАЩs wearing of wrist watch, cloth etc. Whereas Pyarelal was a follower of Shankar style of music.


    Both Laxmikant and Pyarelal were complete musicians. Both of them knew the art of film song compositions as well as the orchestra arrangements. Both of them were capable of extracting the тАЬbestтАЭ from the singers as well as from the musicians.

    In particular Pyarelalji, other than his proficiency in conducting the orchestra, he was an adroit in eliciting impishly rendering from the singers. For example, Lata MangeshkarтАЩs solo songs, тАШрдиреАрдВрдж рдирд┐рдЧрд╛рд╣реЛрдВ рд╕реЗ рдЦреЛ рдЬрд╛рддреАрд╣реИ рдореБрд╣реЛрдмреНрдмрдд рдореБрд╣реЛрдмреНрдмрдд (Lootera 1965). The рдореБрд╣реЛрдмреНрдмрдд word was repeatedly rendered 58 times, each time in different way. рдмрд┐рдВрджрд┐рдпрд╛ рдЪрдордХреЗрдЧреА sssss (Do Raaste, 1969), giving the stress on рдЪрдордХреЗрдЧреА. рдЪрд▓реЛ sss рд╕рдЬрдирд╛ (Mere Hamdam Mere Dost, 1968), rendering the word рдЪрд▓реЛ sss, romantically. рдореИрдВ рддреЗрд░реЗ рдЗрд╢реНрдХрд╝ рдореИрдВ рдорд░ рди рдЬрд╛рдКрдВ ssss рдХрднреА and many more.


    The act of song compositions of Laxmikant-Pyarelal, still remains a secret. No one could guess which is Laxmikant composition or which is Pyarelal composition. It was a complete team work.


    All songs have an тАЬLPтАЭ stamp. No THIRD person was involved.

    It is remarkable achievement for the new comer music directors, Laxmikant-Pyarelal to achieve TOP spot in the span of over three years. 

    When the duo Laxmikant-Pyarelal started with тАЬParasmaniтАЭ music in 1963, many big names like Naushad, Shankar-Jaikishan, Roshan, O P Nayyar, S D Burman, Madan Mohan, Ravi, Chitragupt, Hemant Kumar, etc were established music directors. 

    But Laxmikant-Pyarelal took on all the might of Naushad, Shankar-Jaikishan O P Nayyar, Roshan, Madan Mohan etc. The duo, Laxmikant-Pyarelal ruled the later half of 60s. Later maintained it, till the end of the century. It was the stunning тАШblowтАЩ to all old, established music directors. 

    Listen to what Ameen Sayani / C. Ramchandra had predicted about the new, talented, proficient star music directors, Laxmikant-Pyarelal, in the following video clip.

    LAXMIKANT-PYARELAL 1963…

    LP v/s “Other prominent musical” hits.. in 1963 

    Shankar-Jaikishan:- –Profesor–Humrahi–Dil Ek Mandir

    Roshan–Taj Mahal –Dil Hi To Hai

    SD Burman–Bandini — Tere Ghar Ke Samane

    Naushad–Mere Mehaboob

    Ramlal–Sehara

    RaviтАФGumrah

    Laxmikant-Pyarelal had just two films тАЬParasmaniтАЭ and тАЬHarishchandra TaramatiтАЭ. These films were released in the third quarter of the year. 

    Music director Roshan won the best music director award for тАЬTaj MahalтАЭ beating NaushadтАЩs тАЬMere MehaboobтАЭ and Shankar-JaikishanтАЩs тАЬDil Ek MandirтАЭ. 

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 15 Woh Jab Yaad Aaye Lata тАУ Rafi..тАЬParasmaniтАЭ

    No 06 Hasta Hua Nurani Chehara,,,Lata – Kamal Barot тАЭParasmaniтАЭ

    тАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФ

    LAXMIKANT-PYARELAL …1964

    LP v/s Other prominent musical hits.. in 1964 

    Shankar-Jaikishan:- –Aayi Milan Ki BelaтАФRaj KumarтАФSangam

    Naushad:—Leader

    Madanmohan:- Woh Kaun Thi

    OP Nayyar:—Kashmir Ki Kali

    Ravi:- Door Ki Awaz

    Roshan:- Chitralekha

    Ramlal:- Geet Gaya Pattharone 

    Laxmikant-Pyarelal:- Aaya Toofan, Mr. X In Bombay, Sati Savitri, Sant Gyaneshwar and Dosti.

    Filmfare Awards:- Nominations Madan Mohan (тАЬWoh Kaun ThiтАЭ), Shankar-Jaikishan (тАЬSangamтАЭ) and Laxmikant-Pyarelal (тАЬDostiтАЭ). Laxmikant-Pyarelal won their, well deserved,  first-ever filmfare award for тАЬDOSTIтАЭ 

    Laxmikant-Pyarelal

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    Laxmikant-Pyarelal have some wonderful songs from тАЬHarishchandra TaramatiтАЭ which released in end of 1963.

    No 30 Main Ek Nanha Sa .. Lata.. тАЬHarishchandra TaramatiтАЭ

    No 26  Rahi Manwa ..Rafi..тАЭDostiтАЭ

    No 21  Chahunga Main Tujhe..Rafi..тАЭDostiтАЭ

    No 06  Mere Mehaboob Quyamat ..Kishore..тАЭMr X In BombayтАЭ

    тАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФ

    LAXMIKANT-PYARELAL….1965

    LP v/s Other prominent musical hits in 1965

    RD Burman:тАФBhoot Bangala. 

    Kalyanji-Anandji:тАФ Himalay Ki God Main,– Jab Jab Phool Khile,–Saheli

    Shankar-Jaikishan:тАФ Professor, Aarzoo

    Ravi:- тАФKhandan,тАФWaqt,

    SD Burman:- — Teen Deviyan, — 

    Roshan:- Bhigi Raat

    OP Nayyar:- Mere Sanam.

    Laxmikant-Pyarelal:- тАФLootera, тАФShreeman Fantoosh, –Hum Sab Ustaad Hai, Boxer.

    Laxmikant-Pyarelal

    Music director Ravi won the best music filmfare award for тАЬKhandanтАЭ beating Shankar-JaikishanтАЩs тАЬAarzooтАЭ and Kalyanji-AnandjiтАЩs тАЬHimalay Ki God MainтАЭ..

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    As happened in earlier years, this year too saw one film song attaining cult status in India. This song was- “Jyot se jyot jagaate chalo” from Sant Gyaneshwar.

    No 29  Khudaya Mohabbat Na Hoti..RafiтАжтАЭBoxerтАЭ

    No 25  Koi Jab Raah Na Paye..Rafi..тАЭDostiтАЭ

    No 24  Neend Nigahon Ki ..Lata..тАЭLooteraтАЭ

    No 18  Ajnabi Tum Jane тАжKishore ..тАЭHum Sab Ustad HainтАЭ

    No 04  Jyot Se Jyot Jagate ChaloтАжLata-Mukesh тАЬSant GyaneshwarтАЭ

    No 02  Chahunga Main TujheтАж.Rafi тАЬDostiтАЭ 

    тАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФ-

    LP v/s Other prominent musical hits in 1966

    LAXMIKANT-PYARELAL…1966

    Khayyam:- –Aakhri Khat

    RD Burman:тАФ Teesari Manzil, Pati Patni. 

    Roshan:тАФDadima,–Mamata

    S D Burman:- Guide

    Shankar-Jaikishan:- — Suarj,–Love In Tokyo

    Madanmohan:- –Mera Saya

    OP Nayyar:– Yeh Raat Phir Na Aayegi

    Ravi:- тАФDus Lakh, Do Badan 

    Hemant Kumar:- –Anupama

    Laxmikant-Pyarelal:– –Mere Lal,–Aaye Din Bahar Ke,–Pyar Kiye Ja,–Aasra,–Sau Saal Baad,–Laadla,–Dillagi,–Chhota Bhai..–Naag Mandir. (All have top music).

    By this year Laxmikant-Pyarelal started gaining the TOP position..all the songs of the above films are still popular.

    Shankar-Jaikisihan won the best music award for тАЬSurajтАЭ beating, S D BurmanтАЩs тАЬGuideтАЭ and RaviтАЩs тАЬDo BadanтАЭ

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 1966

    No 26 Din Jawani Ki Char Yaar ..Kishore..тАЭPyar Kiye JaaтАЭ

    No 24 Gore Hathon Par Na Zulm ..Rafi..Pyar Kiye JaaтАЭ

    No 20  Payal Ki Jhankar Raste Raste..Lata..тАЭMere LalтАЭ

    No 14  Ye Aaj Kal Ke Ladake..Usha ,тАЭDillagiтАЭ

    тАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФ

    LAXMIKANT-PYARELAL…1967

    LP v/s Other Prominent Musical Hits of 1967

    Shankar-Jaikishan:- — Chhoti Si Mulaqat, –An Evening In Paris,– Around The World

    R D Burman:- — Baharon Ke Sapane

    S D Burman:- –Jewel Thief 

    Ravi:- — Hamraaz

    Kalyanji-Anandji:- –Upkar

    Roshan:- –Bahu Begam, Noor-Jahan

    Naushad:- –Ram Aur Shyam

    Laxmikant-Pyarelal:- –Milan, –Shagird, –Farz, –Patthar Ke Sanam, –Anita, –Night In London, –Jaal,– Taqdeer ( I have not considered the films like, Chhaila Babu, Milan Ki Raat, in which too, LP has given some beautiful songs)

    It was an LP “wave”. “Weekly Binaca Geet Mala” was 70% flooded with LP songs…It was a CLEAN SWEEP..

    I don’t think any of the music directors have given so many hits and quality songs in a particular year. . 

    Truly speaking 1967 belongs to Laxmikant-Pyarelal, they not only confirmed the Number One position in Hindi Film Music, but also consolidated it with a series of hits by one after another with variety.

    “FARZ” was the most successful golden jubilee hit movie which made Jeetendra a STAR.

    After this victorious feat, Laxmikant-Pyarelal and success went together without a break or loss of continuity. 

    Laxmikant-Pyarelal won their second filmfare award for тАЬMILANтАЭ, beating Kalyanji-Anandji for тАЬUpkarтАЭ and Ravi for тАЬHumrazтАЭ.  

    Now this was the time that Laxmikant-PyarelalтАЩs music became an essential component of every successful film. Big banners, prominent producers and directors wanted LP to score them for their respective films.

    Pyarelal and Laxmikant

    BINACA Geetmala Standing in Annual Countdown.. ( 33 songs ) 

    Songs of Milan, under the music direction of Laxmikant Pyarelal, took the nation by storm in the year 1967, and Binaca geetmala 1967 was no exception. 

    No 33 Yeh Kali Jab Talk..Lata тАУ Mahendra тАЬAaye Din Bahar KeтАЭ

    No 24 Maa Mujhe Apane Aanchal ..Lata..тАЭChhota BhaiтАЭ

    No 23 Main Dekhu Jis Aur..Lata..тАЭAnitaтАЭ

    No 21 Mera Yaar Bada Sharmila ..Rafi..тАЭMilan Ki RaatтАЭ

    No 17 Mubarak Ho Sabko..Mukesh..тАЭMilanтАЭ

    No 13 Mere Dushman Tu ..Rafi..тАЭAaye Din Bahar KeтАЭ

    No 07 Na Baba Na Baba..Lata..тАЭAnitaтАЭ

    No 06 Hum Tum Yug Yug..Lata-Mukesh..тАЭMilanтАЭ

    No 01  Sawan Ka Mahina ..Lata- Mukesh..тАЭMilanтАЭ

     тАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФ

    LAXMIKANT-PYARELAL тАж.1968

     LP v/s Other Prominent Musical Hits of 1968

    Shankar-Jaikishan:- –Bramhachari,–Jhuk Gaya Aasman, –Mere Huzoor, –Shikar

    Ravi:- –Neel Kamal,–Do Kaliyan, –Aankhe.

    Kalyanji-Anandji:- –Saraswatichandra

    OP Nayyar:- —

    Kahin Din Kahin Raat

    RD Burman:- –Padosan

    Usha Khanna:- Fareb

    Sapan Jagmohan:- Teri Talash Main

    Laxmikant-Pyarelal:– –Mere Humdam Mere Dost, –Izzat, –Raja Aur Rank, –Baharon Ki Manzil, Spy in Rome.

    It was a good musical competition between Shankar-Jaikishan  and Laxmikant-Pyarelal songs. LPтАЩs songs have an edge because of the freshness of the music.

    Although Shankar-Jaikishan wins the filmfare award for тАЬBramhachariтАЭ..beating RaviтАЩs тАЬAankhenтАЭ and Shankar-JaikishanтАЩs тАЬDeewanaтАЭ. 

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 32 Mast Baharon Ka Main ..Rafi..тАЭFarzтАЭ

    No 24 Chalkaye Jaam..Rafi..тАЭMere Humdum Mere DostтАЭ

    No 22 Bade Miyan Deewane..тАЭShagirdтАЭ

    No 20 Mehaboob Mere..Lata-Mukesh..тАЭPatthar Ke SanamтАЭ

    No 16 Mera Naam Hai Chameli ..Lata..тАЭRaja Aur RankтАЭ

    No 14 Chalo Sajna ..Lata..тАЭMere Humdum Mere DostтАЭ

    No 11 Bata Du Kya Lana..Lata..тАЭPatthar Ke SanamтАЭ

    No 01 Dil Vil Pyar Vyar..Lata..тАЭShagirdтАЭ

    тАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФ

    LAXMIKANT-PYARELAL…..1969

    LP v/s Other Prominent Hits of the year 1969

    Chitragupt:- –Vaasana, –Aulad

    Shankar-Jaikishan:- –Kanyadan, –Prince

    Kalyanji-Anandji:- — Suhag Raat,– Haseena Maan Jayegi, –Vishwas, –Mahal

    R D Burman:- –Waris, –Abhilasha, –Pyar Ka Mousam.

    Madanmohan:- –Chirag

    Naushad:- –Saathi, –Sangharsh.

    O P Nayyar:- –Kismat, –Humsaya, –Sambandh

    Ravi:- –Ek Phool Do Mali

    S D Burman:- Aradhana

    Roshan:- –Anokhi Raat

    Laxmikant-Pyarelal..gave the music for as many as 17 films in the year 1969..and 90% of the songs composed were hit, memorable, melodious and are still popular…Even the “Aradhana” wave could not do much of the effect to LP’s songs…

    Laxmikant-Pyarelal‘s hits. — Aaya Sawan Jhum Ke, –Intequam, –Do Raaste, –Jeene Ki Raah, –Dharati Kahe Pukar Ke, –Satykam, –Sajan, –Pyasi Sham, –Jigari Dost, –Aansoo Ban Gaye Phool…

    Laxmi-Pyare’s ‘CLEAN SWEEP’ continued for the third successive year. 

    Laxmikant-Pyarelal’s songs and films kept hitting the charts with regularity for coming 20 years and they were the safest bets to the producers, directors and the distributors to finance their films. 

    тАЬAradhana” & Kishore Kumar’s ERA….

    Laxmikant-Pyarelal wins their third filmfare award trophy for the super hit music for 

    тАЬJEENE  KI  RAAHтАЭ, beating, S D BurmanтАЩs тАЬAradhanaтАЭ and Shankar-JaikishanтАЩs 

    тАЬChanda Aur BijliтАЭ. 

    Kishore Kumar’s ERA has also now started. LP too gave a few good songs to KK this year. “Do Raaste”, (Khiza Ke Phool) “Aansoo Ban Gaye Phool”,(Jane Kaisa Hai Mera Deewana..with Asha),, “Satyakaam” (Zindagi Hai Kya,,with Mukesh, Mahendra Kapoor)….. good melodies of LP with KK.

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 31 Woh Kaun Hai ..Lata-MukeshтАжтАЭAnjanaтАЭ

    No 25 Mehabooba Mehabooba..Rafi..тАЭSadhu Aur ShaitanтАЭ

    No 23 Resham Ki Dori..Lata-Rafi ..тАЭSajanтАЭ

    No 22 Ruk Ja Jara тАжLata..тАЭIzzatтАЭ

    No 19 Aaya Sawan Jhoom Ke..Lata-Rafi..тАЭAaya Sawan Jhoom KeтАЭ

    No 18 Badi Mastani Hai..Rafi..тАЭJeene Ki RaahтАЭ

    No 16 Dil Mein Kya Hai..Lata-Rafi..тАЭJigri DostтАЭ

    No 12 Ek Tera Saath .Lata-Rafi..тАЭWapasтАЭ

    No 09 Je Hum Tum Chori Se..Lata-Mukesh..тАЭDharati Kahe Pukar KeтАЭ

    No 06 Aa Mere Humjoli Aa..Lata-Rafi..тАЭJeene Ki RaahтАЭ

    No 01 Kaise Rahoon Chup ,..Lata..тАЭIntequamтАЭ

    —————————————————————————————————

    LAXMIKANT-PYARELAL….1970

    LP v/s Other Prominent Hits of the year 1970

    Shankar-Jaikishan:- тАФPehchan.– Jahan Pyar Mile, –Pagla Kahin Ka, — Dharti

    Kalyanji-Anandji:- –Safar, –Sachcha Jhutha, –Geet, –Gopi, –Holi Aayee Re, 

    –Kab Kyon Aur Kahan, — Mere Humsafar

    R D Burman:- –The Train, — Saans Bhi Kabhi Bahu Thi, –Kati Patang, –Raton Ka Raja

    S D Burman:- Prem Pujari, –Talash, –Ishq Par Zor Nahin

    Ravi:- –Aadmi Aur Insaan

    Sonik Omi:- –Sawan Bhadon 

    Madan Mohan:- Heer Ranjha 

    Laxmikant-Pyarelal:- –Khilona, –Aan Milo Sajana, –Sharafat, –Humjoli, –Jeevan Mrityu, –Man Ki Aankhe, –Pushpanjali, –Himmat, –Suhana Safar.

    Binaca Geet Mala was getting more and more interested. 

    LP’s late releases of 1969 films still in demand,,…Once again the year 1970 was dominated by Laxmikant-Pyarelal. Although it was the good year for the fabulous music from other music directors too.

    Shankar-Jaikishan went on to win the Best Music Director for the film тАЬPehchanтАЭ. Beating Laxmikant-PyarelalтАЩs тАЬDO RAASTEтАЭ and S D BurmanтАЩs тАЬTalashтАЭ 

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    For the fourth year in a row, 

    Laxmikant Pyarelal composition emerged as the top song of the year.

    No 28 Hi Re Hi Nind Nahin ..Lata-Rafi..тАЭHumjoliтАЭ

    No 18 Jhilmil Sitaron Ka ..Lata-Rafi..тАЭJeevan MrityuтАЭ

    No 16 Hai Shukar Ke Tu Hai Ladka..Rafi..тАЭHimmatтАЭ

    No 14 Woh Kaun Hai .Lata-Mukesh..тАЭAnjanaтАЭ

    No 12 Chhup Gaye Sare..Lata-Rafi..тАЭDo RaasteтАЭ

    No 11 Shadi Ke Liye ..Rafi..тАЭDeviтАЭ

    No 09 Sharafat Chhod Di..Lata,,тАЭSharafatтАЭ

    No 08 Sa Re Ga Ma Pa..Lata-Kishore..тАЭAbhinetriтАЭ

    No 05 Khilona Jaan Kar..Rafi..тАЭKhilonaтАЭ

    No 01 Bindiya Chamkegi..Lata..тАЭDo RaasteтАЭ

    —————————————————————————-

    LAXMIKANT-PYARELAL…1971

    LP v/s Other Music Directors in the year 1971

    Shankar-Jaikishan:-Mera Naam Joker, Andaz, Main Sunder Hoon,

    R D Burman:- Buddha Mil Gaya, Carvan, Amar Prem, Paraya Dhan, Lakhon Main Ek, Adhikar, Pyar Ki Kahani

    S D Burman:- Sharmilee, Naya Zamana

    Salil Chaudhari:- Anand

    Kalyanji-Anandji:- Johny Mera Naam, Purab Aur Paschim, Maryada, Aansoo Aur Muskan

    Madanmohan:- Dastak

    Sapan-Jagmohan:- Chetana..( Main To Har Mod Par )

    Laxmikant-Pyarelal:- Abhinetri, Mera Gaon Mera Desh, Jal Bin Machhali Nrutya Bin Bijali, Haathi Mere Saathi, Aap Aaye Bahar Aayee, Mehaboob Ki Mehandi, Man Mandir, Banphool. 

    We saw the sixties ( from 1964 to 1970) have a clean sweep by Laxmikant-Pyarelal

    R D Burman and Kalyanji-Anandji gave some excellent music to compete strongly with LP. However Laxmikant-Pyarelal had an upper hand in the year 1971 too.

    We saw the death of Jaikishan ( at the age of 41 years). 

    The filmfare award for the best music was won by Shankar-Jaikishan for тАЬMere Naam JokerтАЭ..beating, R D BurmanтАЩs тАЬCaravanтАЭ and Shankar-JaikishanтАЩs тАЬAndazтАЭ. 

    Music Director Madan Mohan won the national award for the music for film Dastak

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 32 Sona Lai Ja Re..Lata..тАЭMera Gaon Mera DeshтАЭ

    No 31 Jawani O Diwani Tu ..Kishore..тАЭAan Milo SajnaтАЭ

    No 26 Taron Ne Saj Ke..Mukesh..тАЭJal Bin Machhali Nritya Bin BijleeтАЭ

    No 22 O Mitwa O Mitwa тАжLata..тАЭJal Bin Machhali Nritya Bin BijleeтАЭ

    No 14 Tumko Bhi To ..Lata-Kishore..тАЭAap Aaye Bahar AayeeтАЭ

    No 06 Chal Chal Chal Mere Sathi..Kishore..тАЭHaathi Mere SaathiтАЭ

    No 02 Achchha To Hum Chalate Hai..Lata-Kishore..тАЭAan Milo SajanaтАЭ

     —————————————————————————————

    LAXMIKANT-PYARELAL…..1972

    LP v/s Other Prominent Musical Hits of the year 1972

    R D BurmanтАЩs Dum Maro Dum, тАжGhulam MohommadтАЩs Chalate Chalate тАжand Laxmikant-PyarelalтАЩs  Vaada Tera Vaada (тАЬDushman) and Ek Pyar Ka Nagma (тАЬShorтАЭ) These songs were like a storm in the year 1972..

    R D Burman:- Hare Ram Hare Krishna, Bombay To Goa, Do Chor, Garam Masala, Jawani Diwani, Parichay, Apana Desh, Rampur Ka Laxman, Seeta Aur Geeta, Mere Jeevan Saathi, Samadhi.

    Shankar-Jaikishan:- Beiman, Kal Aaj Aur Kal, Lal Patthar Aankhon Aaknon Main

    Kalyanji-Anandji:- Apradh, Joru Ka Ghulam, Victoria no 203.

    Jaidev:- Reshma Aur Shera

    Sonik-Omi:- Bhai Ho To Aisa

    Ravindra Jain:- Kaanch Aur Heera ( Nazar Aati Nahin Manzil)

    Sapan-Jagmohan:- Do Raaha

    Ghulam Mohammad:- Pakeezah

    Vasant Desai:- Guddi

    Ravi:- Babul Ki Galiyan

    Laxmikant-Pyarelal:- Uphaar, Piya Ka Ghar, Ek Nazar, Dushman, Raja Jani, Gora Aur Kala, Shor, Buniyad, Jeet, Roop Tera Mastana, Dastaan, Mom Ki Gudiya, Ek Bechara etc..

    This year Laxmikant-Pyarelal got some tough challenges from R D Burman. To some extent it was the year RD v/s LP.

    Music Director Jaidev won the national award for тАЬReshma Aur SheraтАЭтАж

    Shankar-Jaikishan won the best music award for тАЬBemianтАЭтАжIn spite of some good score from other music directors. Beating Laxmikant-PyarelalтАЩs super musical тАЬSHORтАЭ and Ghulam MohammadтАЩs тАЬPakeezahтАЭ 

    Mukesh won the best singer award for the song Jai Bolo BEIMAN KI..?????????????????

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 33  Maine Dekha Tune Dekha..Lata..тАЭDushmanтАЭ

    No 34  Na Tu Zameen Ke Liye..Rafi..тАЭDaastanтАЭ

    No 29  Ek Pyar Ka Naghama Hai ,,Lata-Mukesh .тАЭShorтАЭ

    No 28  Reshma Jawan Ho Gayi..Rafi..тАЭMom Ki GudiyaтАЭ

    No 24  Rama O Rama..Mukesh..тАЭEk BecharaтАЭ

    No 23  Dil Ki Baate Dil Hi Jaane..Kishore-Lata..тАЭRoop Tera MastanaтАЭ

    No 20  Shishi Bhari Ghulab Ki тАжLata..тАЭJeetтАЭ

    No 16  Main Ek Raja Houn..Rafi..тАЭUphaarтАЭ

    No 08  Yeh Jeevan Hai..Kishore..тАЭPiya Ka GharтАЭ

    No 04  Vaada Tera Vaada..Kishore..тАЭDushmanтАЭ    

    —————————————————————————————- 

    LAXMIKANT-PYARELAL ….1973..

    LP v/s Other Musical Hits of the year 1973

    Undoubtedly it was the year to be remembered for two reasons. First being “BOBBY” songs massive and unimaginable popularity and second that of emergence of Amitabh Bachchan as a star, after the thumping success of Zanjeer. Both the films, тАЬBobbyтАЭ and тАЬZanjeerтАЭ  celebrated the тАЬGolden JubileeтАЭ..(One year run in cinema hall).

    It was for the first time since the last 22 years, after тАЬBarsatтАЭ that Shankar-JaikishanтАЩs name, which was consistently appearing almost every year, was missing in the chart list. 

    R D Burman:- Aa Gale Laga Ja, Anamika, Raja Rani, Heera Panna, Joshila, Sharif Badmash, Jaise Ko Taisa, Namak Haram, Yadon Ki Barat. 

    Kalyanji-Anandji:- Zanjeer, Samjhauta, Banarasi Babu, Kahani Kismat Ki, Heera. 

    S D Burman:- Abhiman, Jugnu, Chhupa Rustom. 

    Ravi:- Dhund

    Madanmohan:- Haste Zakhm, Parawana. 

    Usha Khanna:- Sabak ( Barkha Rani Jara Jam Ke Baraso)

    Brij Bhushan:- Milap (Kai Sadiyon Se Kai Janmo Se)

    Sonik-Omi:- Dharma (Raj Ko Raj Rahne Do)

    Ganesh ( Pyarelal’s brother):- Ek Naari Do Roop ( Dil Ka Suna Saaz), Chalak (Dil Ka Nazarana Le), Dhamkee. 

    Laxmikant-Pyarelal:- Bobby, Daag, Loafer, Anokhi Ada, Jwar Bhata, Gehari Chal, Suraj Aur Chanda, Anhoni, Kachche Dhaage, Jalte Badan.

    It was a good year for the good music.  One can imagine the nomination for the best music award by Filmfare

    Kalyanji-Anandji   тАЬZanjeerтАЭ

    Laxmikant-Pyarelal  тАЬDaagтАЭ

    R D Burman    тАЬYaadon Ki BaaratтАЭ

    Laxmikant-Pyarelal  тАЬBobbyтАЭ

    S D Burman    тАЬAbhimanтАЭ  

    However S D Burman won the award for the best music for тАЬAbhimanтАЭ. 

    Song writer Vitthal Bhai Patel and male singer Narendra Chanchal won the filmfare awards for тАЭBobbyтАЭ..

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 34 Jara Sa Usko Chhua To..Lata..тАЭShorтАЭ

    No 32 Jhoot Bole Kauwa Kate..Lata-Shailendra  Singh..тАЭBobbyтАЭ

    No 29 Aaj Mousam Bada ..Rafi..тАЭLoaferтАЭ

    No 20 Mere Dil Main Aaj Kya Hai..Kishore..тАЭDaagтАЭ

    No 16 Dheere Dheere Bol Koi ..Lata-Mukesh..тАЭGora Aur KalaтАЭ

    No 12 ABCD Chhodo ..Lata..тАЭRaja JaniтАЭ

    No 07 Ab Chahe Ma Ruthe ..Lata-Kishore..тАЭDaagтАЭ

    No 02 Chabi Kho Jaye..Lata-Shailendra Singh, тАЬBobbyтАЭ

     ———————————————————————————-

    LAXMIKANT-PYARELAL….1974

    LP v/s Other Musical Hits of 1974

    This year too, Laxmikant-Pyarelal gave music for as many as 15 films.

    R D Burman:- Aap Ki Kasam, Benam, Ishq Ishq Iashq, Manoranjan, Zeel Ke Us Paar, Phir Kab Milogi, Zahareela Insan, Doosari Sita, Charitrahin. 

    Kalyanji-Anandji:- Bairag, Haath Ki Safai, Kora Kagaz. Patthar Aur Payal. 

    S D Burman:- Prem Nagar

    Usha Khanna:- Hawas ( Teri Galiyon Main Na Rakkhenge Kadam )

    Ravindra Jain:- Chor Machaye Shor

    Jaidev:- Prem Parabat

    Laxmikant-Pyarelal:- Roti Kapada Aur Makan, Roti, Manchali, Dost, Bidaai, Amir Garib, Imtihan, Majboor, Dulhan, Paise Ki Gudiya, Naya Din Nayi Raat, Dost, Jurm Aur Saza..etc.

    Laxmikant-PyarelalтАЩs domination continued once again and remained on top position with maximum number of hits. 

    IN THIS YEAR, one of the Friday of the October, 1974 ( DAY OF DIWALI ) , ALL three of the LPтАЩs films were released on the same day and all the three became hits.              тАЬROTI KAPADA AUR MAKAN”, тАЬROTIтАЭ and тАЬBIDAAIтАЭтАж

    Singer Mahendra Kapoor won the award for Roti Kapada Aur Makan.

    Kalyanji-Anandji wins their only filmfare award for the film Kora Kagaz. Beating Laxmikant-PyarelalтАЩs ROTI KAPADA AUR MAKANтАЭ, R D BurmanтАЩs тАЬAap Ki KasamтАЭ , S D BurmanтАЩs тАЬPrem NagarтАЭ and Shankar-JaikishanтАЩs тАЬReshm Ki DoriтАЭ.  

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 32 Baith Ja Baith Gayi..Kishore-Lata..тАЭAmir GaribтАЭ

    No 26 Dal Roti Khao ..Kishore-Lata..тАЭJwar BhataтАЭ

    No 25 Gham Ka Fasana..Kishore..тАЭManchaliтАЭ

    No 24 O Manchali Kahan ChaliтАжKishore..тАЭManchaliтАЭ

    No 23 Tu Ru Tu Ru Tera Mera..Kishore..тАЭJwar BhataтАЭ

    No 22 Shor Mach Gaya Shor..Kishore..тАЭBadalaтАЭ

    No 12 Main Shayar To Nahin..Shailendra Singh..тАЭBobbyтАЭ

    No 04 Gadi Bula Rahi Hai..Kishore..тАЭDostтАЭ

    No 03 Jhoot Bole Kauwa Kate..Lata-Shailendra Singh.,тАЭBobbyтАЭ

     —————————————————————————-

    LAXMIKANT-PYARELAL…..1975

    LP v/s Other Prominent Musical Hits for the year 1975

    The тАЭSholeyтАЭ yearтАж( released on 15th of August, 1975)

    R D Burman:- Aandhi, Deewar, Sholey, Khel Khel Main, Khushboo. 

    Shankar-Jaikishan:- Do Jhooth (Chhatri Na Khol Ud Jayegi)

    Salil Chaudhari:- Rajnigandha

    Shyamal Mitra:- Amanush

    Kalyanji-Anandji:- Rafoo Chakkar, Dharmatma.

    Aziz Nazan:- 5 Rifles ( Zoom Barabar Zoom Sharabi)

    1975 saw the emergence of two new young music directors

    Rajesh Roshan :- Julie, Kunwara Baap.

    Bappi Lahiri:- Zakhmi 

    Naushad shaking hands with Manoj Kumar and Laxmikant Pyarelal

    With the songs of тАЬRoti Kapada Aur MakanтАЭ and тАЬRotiтАЭ very much in demand and popular, in the early part of the year 1975, as these films were released in the third quarter of the year 1974, LP also gave some good scores in 1975.

    Laxmikant-Pyarelal:- Prem Kahani, Geeta Mera Naam, Dulhan, Aakraman, Apane Rang Hazar, Dulhan, Mere Sajana, Anari, Ponga Pandit, Chaitali and “PRATIGYA” 

    Rajesh Roshan went on to win the best music award for his very first movie тАЭJulieтАЭ. Beating R D BurmanтАЩs тАЬSholeyтАЭ and тАЬKhel Khel MainтАЭ, Laxmikant-PyarelalтАЩs тАЬDULHANтАЭ and Shankar-JaikishanтАЩs тАЬSanyasiтАЭ 

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 26 Main Jat Yamala Pagla..Rafi..тАЭPratigyaтАЭ

    No 23 Fauzi Gaya Jab Gaon Main ..Kishore..тАЭAakramanтАЭ

    No 21 Aayegi Jaroor Chitthi..Lata..тАЭDulhanтАЭ

    No 20 Jijaji Jijaji..Asha-Kishore..тАЭPonga PanditтАЭ

    No 15 Ye Jo Public Hai ..Kishore..тАЭRotiтАЭ

    No 13 Kabhi Khole Na ..Kishore..тАЭBidaiтАЭ

    No 10 Chal Dariya Main Dub Jaye..Kishore-Lata..тАЭPrem KahaniтАЭ

    No 02 Hi Hi Yeh Majaboori..Lata..тАЭRoti Kapada Aur MakanтАЭ

    No 01 Mehangai Mar Gayi..Lata-Mukesh-Chanchal-Janibabu..тАЭRoti Kapada Aur MakanтАЭ

      ————————————————————————–

     LAXMIKANT-PYARELAL…1976

    LP v/s Other Prominent Musical Hits for the year 1976

    R D Burman:- Dharam Karam, Warrant, Kala Sona, Mehabooba, Balika Badhu., Nehale Pe Dehla, Dhongi. 

    Salil Chaudhari:- Chhoti Si Baat

    Ravindra Jain:- Chit Chor, Geet Gata Chal

    Bhappi Lahiri:- Chalte Chalte.

    Khayyam:- Kabhi Kabhi, Sankalp

    Madan Mohan:- Mausam

    C Arjun:- Jai Santoshi Maa

    Basu Manohari:- Sabase Bada Rupaiyya 

    Shankar-Jaikishan:- Sanyasi 

    Kalyanji-Anandji:- Uljhan, Adalat, Kalicharan. 

    Laxmikant-Pyarelal :- Dus Numbari, Aapbiti, Charas, Nagin, Jaan-E-Man, Naach Uthe Sansar, Maa, Zindagi Aur Toofan, Suntan.

    The biggest news in the Hindi Film Music for this year, were

    1) Laxmikant-Pyarelal refusing to Producer PremjiтАЩs big budget and prestigious movie тАЬMEERA” ( earlier LP had worked with Premji for the movies like тАЬMastanaтАЭ, тАЬDushmanтАЭ, тАЬDostтАЭ and тАЬMajboorтАЭ all were musically hit). Firstly it was Lata Mangeshkar who refused to sing the songs for тАЬMeeraтАЭ, as she had sung enough songs/bhajans on Meera. Finally the music was scored by Sitar Maestro Pt. Ravi Shankar and all the songs were sung by Vani Jairam. 

    2) Laxmikant-Pyarelal also refused to score the music for H.S RawalтАЩs big budget movie тАЬLaila MajanuтАЭ. Earlier LP/HS Rawal had worked for тАЬMehaboob Ki MehandiтАЭ, a super musical hit with some immortal songs. LP said they are very busy for other big projects and convinced H S Rawal to go ahead with Madanmohan with whom  Pyarelal had worked as an assistant for many years. Moreover Madanmohan was less busy on those days. It is unfortunate that Madanmohan died halfway through the film. Later it was Jaidev who completed the remaining job for the film. 

    This year too Laxmikant-Pyarelal continued to work with Mohammad Rafi, when other contemporary music directors have already forgotten him. LP gave some good songs for Rafi, in spite of Kishore KumarтАЩs domination in the male singing. 

    The best award for the music unanimously went to Khaiyyam, his first big award, for his excellent work in тАЭKabhi KabhiтАЭ. Beating R D BurmanтАЩs тАЬMehboobaтАЭ, Kalyanji-AnandjiтАЩs тАЬBairaagтАЭ, Ravindra JainтАЩs тАЬChit ChorтАЭ and MadanmohanтАЩs тАЬMousamтАЭ. 

    This yearтАЩs national award for the best singer went to Sulakshna Pandit for her song Tu Hi Sagar Hai Tu Hai Kirana Dhoondta Hai Tu Kiska Sahara..(also one of my favorite songs) for the film тАЬSankalpтАЭ. This film too has music by Khaiyyam. 

    This year witnessed the death of great singer Mukesh .

    After failing miserably on the acting part Subhash Ghai emerged as a director. тАЬKalicharanтАЭ became the film.

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    For the first time since 1963 Laxmikant-PyarelalтАЩs songs are not appearing in the last TEN..

    No 33 Kee Gal Hai Koi Nahi..Lata-Kishore..тАЭJane ManтАЭ

    No 28 Jijaji Jijaji Meri Did ..Kishore-Asha..тАЭPonga PanditтАЭ

    No 26 Kal Ki Haseen Mulaqat ..Lata-Kishore..тАЭCharasтАЭ

    No 25 Aaja Teri Yaad Aayi..Lata-Anand Baxi-Rafi..тАЭCharasтАЭ

    No 24 Mujhe Dard Rehta Hai..Lata-Mukesh..тАЭDus NumbriтАЭ

    No 22 Jane Man Jane Man..Kishore..тАЭJane ManтАЭ

    No 10 Kahat Kabir Suno..Mukesh..тАЭDus NumbariтАЭ

    —————————————————————————————– 

    LAXMIKANT-PYARELAL….1977

    LP v/s Other Prominent Musical Hits for the year 1977

    R D Burman:- Balik Badhu, Kinara, Hum Kisise Kum Nahin, Kitab, Mukti, Darling Darling, Chandi Sona, Chalata Purza.

    Ravi:- Aadmi Sadak Ka (Aaj Mere Yaar Ki Shadi Hai)

    Khaiyyam:- Shankar Hussain

    Rajesh Roshan:- Doosara Aadmi, Yahi Hai Zindagi, Udhar Ka Sindoor, Zindagi

    Kalyanji-Anandji:- Kasam Khoon Ki, Khoon Paseena, Farishta Ya Quatil, Ek Se Badhkar Ek.

    Sapan Jagmohan:- Abhi To Jee Le

    Ravindra Jain:- Fakira, 

    Bappi Lahiri:- Aap Ki Khatir 

    Madanmohan:- Laila Majanu 

    Jaidev:- Aalap

    Laxmikant-Pyarelal:- Amar Akbar Anthony, Dharm Veer, Anurodh, Parvarish, Drem Girl, Aashiq Houn Baharon Ka, Chhaila Babu, Palkon Ki Chhaon Main, Chacha Bhatija.

    Actually this year belongs to Manmohan Desai, Laxmikant-Pyarelal and Mohammad Rafi..

    Manmohan Desai made as many as four films тАЬAmar Akbar AnthonyтАЭ, тАЬDharam VeerтАЭ, тАЬChacha BhatijaтАЭ and тАЬParvarishтАЭ all were super musical hit. Off course Laxmikant-Pyarelal have scored the music for all these four films. 

    The association of Manmohan Desai (MKD films) and Laxmikant-Pyarelal lasted till the end of the century and their last film was released in 1998, тАЬDeewana-MastanaтАЭ ( Directed by David Dhavan an assistant to Manmohan Desai. ).

    Mohammad Rafi wins the best singer award for Kya Hua Tera Vada..

    Laxmikant-Pyarelal wins the best music award for тАЬAMAR AKBAR ANTHONYтАЭ..after the gap of 8 years. Beating R D BurmanтАЩs тАЬHum Kisise Kum NahinтАЭ and тАЬKinaraтАЭ, JaidevтАЩs тАЬAalapтАЭ and Rajesh RoshanтАЩs тАЬSwami”. 

    Pyarelal, Ketan Desai, Laxmikant, Mohammad Rafi, Mukesh, Lata Mangeshkar, Kishore Kumar and Manmohan Desai.

    Earlier LP have won the award for the best music for тАЭDostiтАЭ.1964, тАЭMilan

    тАЭ..1967 and тАЭJeene Ki RaahтАЭ..1969тАж. They certainly deserved the awards for the best music earlier too, for the films like тАЬIntqaamтАЭ, тАЬShorтАЭ, тАЬDo RaasteтАЭ, тАЬBobbyтАЭ, тАЬDaagтАЭ and many moreтАжFinally justice was done. 

    Amitabh Bachchan also wins his first award as an actor for тАЬAmar Akbar AnthonyтАЭтАж-

    Finally it was an тАЬAmar Akbar Anthony” and Laxmikant-Pyarelal dominated year…

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    Laxmikant-Pyarelal bounced back to their second phase of peak period.

    No 41 Tayyab Ali Pyar Ka Dushman..Rafi-Mukari..тАЭAmar Akbar AnthonyтАЭ

    No 34 Aate Jaate Khoobsurat..Kishore..тАЭAnurodhтАЭ

    No 29 Meri Dilruba ..Kishore..тАЭAas PassтАЭ

    No 24 Dream Girl Dream Girl..Kishore ..тАЭDream GirlтАЭ

    No 21 Bure Kaam Ka Bura ..Rafi-Shailendra Singh,,тАЭChacha BhatijaтАЭ

    No 18 Yaar Dildar Tujhe Kaisa..Asha-Kishore..тАЭChhaila BabuтАЭ

    No 17 Teri Meri Shadi Pandit Na..Asha-Kishore..тАЭDildaarтАЭ

    No 11 Anhoni Ko Honi Kara De..Mahendra-Kishore-Shailendra..тАЭAmar Akbar AnthonyтАЭ

    No 06 Satyam Shivam Sundaram ..Lata..тАЭSatyam Shivam SundaramтАЭ

    No 05 Aap Ke Anurodh PeтАжKishore..тАЭAnurodhтАЭ

    No 03 O Meri Mehabooba..Rafi..тАЭDharmveerтАЭ

    No 02 Parda Hai Parda ..Rafi..тАЭAmar Akbar AnthonyтАЭ

     ————————————————————————

    LAXMIKANT-PYARELAL ….1978

    LP v/s Other Prominent Musical Hits for the year 1978

    R D Burman:- Shalimar, Kasme Vaade, Ghar, Devta, 

    Kalyanji-Anandji:- Don, Ganga Ki Saugandh

    Rajesh Roshan:- Inkaar, Des Pardes 

    Ravindra Jain:- Akhiyon Ke Jharokon Se

    Bappi Lahiri:- Toote Khilone

    Khaiyyam:- Trishul

    Jaidev:- Gharonda 

    Laxmikant-Pyarelal:- Satyam Shivam Sundaram, Main Tulsi Tere Aangan Ki, Badalte Rishte, Apnapan, Aahutee, Prem Bandhan, Phool Khile Hai Gulshan Gulshan, Phansi.. etc

    This year too, LP had an edge over the other music directors and continued to be on number 1 position, with some quality music. LP did composed some Semi-Classical songs this year. The songs of “BADALTEY RISHTEY”..The song “Meri Sanson Ko” was not much appreciated/FAMOUS then, but now it is one of the hot favorites today. 

    Best music filmfare award was unanimously chosen for тАЬSATYAM SHIVAM SUNDARAM ”.  Thus Laxmikant-Pyarelal won their second successive award. Beating Kalyanji-AnandjiтАЩs тАЬDonтАЭ, R D BurmanтАЩs тАЬShalimarтАЭ, Rajesh RoshanтАЩs тАЬDes ParadesтАЭ and Ravindra JainтАЩs тАЬAkhiyon Ke Jharokon SeтАЭ 

    Laxmikant-Pyarelal, Raj Kapoor

    Singers Asha Bhonsle..for Ye Mera Dil Pyar Ka Deewana…and Kishore Kuamar ..for Khai Ke Paan Banaras Wala..from the film “Don”, won the best award for the singers..

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 33 Aji Thaharo Zara Socho..Kishore, Rafi, Shailendra Singh тАЬParavarishтАЭ

    No 28 Somwar Ko Hum MileтАж Kishore , Sulakshna Pandit..тАЭApnapanтАЭ

    No 26 Hum Premi Prem Karna Jane..Kishore, Rafi, Shailendra Singh  тАЬParavarishтАЭ

    No 25 Yeh Khidaki Jo Band Rahati HaiтАжRafi..тАЭMain Tulsi Tere Aangan KiтАЭ

    No 24 Chanchal Sheetal Nirmal Komal.. Mukesh..тАЭSatyam Shivam SundaramтАЭ

    No 23 Main Tulsi Tere Aangan Ki..Lata..тАЭMain Tulsi Tere Aangan KiтАЭ

    No 19 Jab Aati Hogi Yaad Meri..Rafi-Sulakshna Pandit..тАЭPhansiтАЭ

    No 07 Yashomati Maiyya Se..Lata, Mannade..тАЭSatyam Shivam SundaramтАЭ

    No 02 Aadmi Musafir Hai..Lata-Rafi..тАЭApnapanтАЭ

     —————————————————————————————

    LAXMIKANT-PYARELAL…1979

    LP v/s Other Prominent Musical Hits for the year 1979

    R D Burman:- Golmal, Jhootha Kahin Ka, Manzil, Nauker, The Great Gambler, Jurmana

    Kalyanji-Anandji:- Muqqdar Ka Sikandar, 

    Usha Khanna:- Sajan Bina Suhagan..Madhuban Khushaboo.., Dada.Dil Ke Tukade Tukade..

    Raghunath Sheth:- Ek Baar Phir (Ye Paudhe Ye PatteтАжMan Kahe Main Jhumun.Anuradha Paudwal тАУ BhupendraтАж.(My all time favorite song) 

    Khaiyyam:- Noori, Khandan

    Ravindra Jain:- Pati Patni Aur Woh, Sunayana.

    Rajesh Roshan:- Swarag Narak, Kala Patthar, Mr. Natwarlal, Ek Baap Chhe Bete. 

    Sonik Omi:- Zulm Ki Pukar

    Bappi Lahiri:- Suraksha.

    Raj Kamal:- Sawan Ko Aane Do

    Once again the LP dominates the show with maximum numbers of hit songsтАжThe songs of Sargam have a clean sweep over the other film’s songs…

    Laxmikant-Pyarelal:- Goutam Govinda, Suhag, Sargam, Jaani Dushman, Kartavya, Dil Ka Heera, Amar Deep, Kali Ghata..Yuvraj, Prem Vivah, Chunoti, Zalim..etc

    Undisputedly Laxmikant-Pyarelal were chosen for the best music award, unanimously for the film тАЭSARGAMтАЭ, winning it for the third consecutive time. Thus Laxmikant-Pyarelal performed the Hat-Trick for the award. Beating KhayyamтАЩs тАЬNooriтАЭ, Rajesh RoshanтАЩs тАЬKala PattharтАЭ and тАЬMr NatarwalтАЭ and Laxmikant-PyarelalтАЩs own тАЬJani DushmanтАЭ. 

    “Sargam”, “Suhag”, “Jani Dushman”, “Muquaddar Ka Sikandar” and “Mr.Natwarlal” were the super hit films of the year.

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 36 Mannubhai Motor Chali ..Kishore..тАЭPhool Khile Hai Gulshan GulshanтАЭ

    No 32 Dafaliwale..Lata-Rafi,тАЭ SargamтАЭ

    No 26 Chalo Re Doli Uthao ..Rafi..тАЭJaani DushmanтАЭ

    No 20 Meri Dushman Hai YeтАжRafi..тАЭMain Tulsi Tere Aangan KiтАЭ

    No 16 Main Tere Pyar Main Pagal..Kishore, Lata..тАЭPrem BandhanтАЭ

    No 15 O Meri Jaan ..Kishore, Anuradha..тАЭJaani DushmanтАЭ

    No 10 Tere Hathon Main Pehana Ke..Asha-Rafi..тАЭJaani DushmanтАЭ

    No 06  Main Tulsi Tere Aangan Ki..Latta..тАЭMain Tulsi Tere Aangan KiтАЭ

    No 04 Na Jane Kais ..Kishore, Rafi, Suman..тАЭBadalte RishteтАЭ

     ————————————————————————-

    LAXMIKANT-PYARELAL…..1980

    LP v/s Other Prominent Musical Hits of the Year 1980

    A Year fully dominated byтАж Om

    Shanti Om,тАж Sheesha Ho Ya Dil..LP and Aap Jaisa Koi Meri Zindagi Main Aaye..Biddu..

    Slowly and steadily the hindi film music was taking turn. PeopleтАЩs choice has changed; 

    R D Burman:- The Burning Train, Abdullah, Shaan, Kudarat, Phir Wohi Raat.

    Khaiyyam:- Chambal Ki Kasam, Thodisi Bewafai

    Kalyanji-Anandji:- Qurbani

    Rajesh Roshan:- Lootmar, Yarana, Baton Baton Main

    Ram Laxman:- Tarana ..Sultana Sultana Mera Naam Hai Sultana..

    Bappi Lahiri:- Ehsan 

    Once again Laxmikant-Pyarelal dominates the show..with style…

    The songs of last yearтАЩs (Diwali 1979) release тАЬSargamтАЭ and тАЬSuhagтАЭ very much in demand..This year too Laxmikant-Pyarelal dominated the year. Though R D Burman, Rajesh Roshan ( a one time assistant to Laxmikant-Pyarelal) and Khaiyyam did produce some good melodies. The songs of тАЭKarzтАЭ, тАЭAshaтАЭ and тАЬDostanaтАЭ dominate the show for LP..

    Laxmikant-Pyarelal:- Dostana, Judai, Karz, Ram Balram, Bandish, Asha, Jyoti Bane Jwala, Mang Bharo Sajana, Aas Pass, Hum Paanch, Waqt Ki Deewar ..etc. 

    Once again undisputedly and unanimously Laxmikant-Pyarelal won the best music director award, for the fourth successive year, for their outstanding work for the an ever-fresh, ever-green musical score of тАЬKARZтАЭ. тАжAmar Akbar Anthony (тАЩ77)..Satyam Shivam Sundaram(’78)тАжSargam(’79) and тАжKarz(’80)тАжno one can say that the music of these film is mediocre, third grade. The songs of all these films are still popular .This time Laxmikant-Pyarelal beats R D BurmanтАЩs тАЬShanтАЭ, Kalyanji-AnandjiтАЩs тАЬQurbaniтАЭ, KhayyamтАЩs тАЬThodisi BewafaiтАЭ and Laxmikant-PyarelalтАЩs own тАЬAshaтАЭ.

    Mohammad Rafi died on 31st July, 1980..We are missing him a LOT…

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    TOP THREE SONGS тАж..of Laxmikant-Pyarelal.

    No 32 Bane Chahe Dushman ..Kishore-Rafi..тАЭDostanaтАЭ

    No 30 Maar Gayi Muze тАжKishore-Asha ..тАЭJudaiтАЭ

    No 23 Parabat Ke Us Paar..Lata-Rafi..тАЭSargamтАЭ

    No 22 Hum To Chale Pardes..Rafi..тАЭSargamтАЭ

    No 16 Main To Beghar Haoun..Asha..тАЭSuhagтАЭ

    No 15 Main Sola Bars Ki ..Lata-Kishore..тАЭKarzтАЭ

    No 11 Teri Rab Ne Bana Di..Rafi, Asha, Shailendra..тАЭSuhagтАЭ

    No 09 Ai Yaar Sun Yari Teri..Rafi-Shailendra Sing-Asha..тАЭSuhagтАЭ

    No 07 Koyal Boli..Lata-Rafi..тАЭSargamтАЭ

    No 03 Sheesha Ho Ya Dil..Lata.тАЭAshaтАЭ

    No 02 Om Shanti Om..Kishore..тАЭKarzтАЭ

    No 01 Dafliwale Dali Baja..Lata-Rafi..тАЭSargamтАЭ

    ———————————————————————————————- 

     LAXMIKANT-PYARELAL ….1981. 

    LP v/s Other Prominent Musical Hits of the year 1981

    R D Burman:- Love Story, Rocky, Kaliya, Basera, Biwi O Biwi, Angoor

    Bappi Lahiri:- Arman,(Rambha Ho) and Pyara Dushman (Hari Om Hari)

    Kalyanji-Anandji:- Lawaris, Katilon Ka Katil.

    Usha Khanna:- Aap To Aise Na The (Tu Is Tarah Se Meri Zindagi Main)

    Khayyam:- Unrao Jaan 

    This year saw the debut of the two new music directors 

    Shiv-Hari:- Silsila 

    Anu Malik:- Poonam..(Mohabbat Rang Layegi Aahista Aahista )

    Laxmikant-Pyarelal:– Ek Duje Ke Liye, Ek Hi Bhool, Kranti, Krodhi, Naseeb, Fifty Fifty, Pyasa Sawan, Ek Aur Ek Gyarah etc..

    Once again the year belongs to Laxmikant-PyarelalтАжIn spite of the loss of Mohammad Rai to LP,,,they maintained no 1 position. This year LP gave opportunities to new generation singers like Suresh Wadkar, Nitin Mukesh, Anwar including a famous bhajan singer Anup Jalota and boldly introduced sensation from the south S P Balasubramaniam, a Mukesh substitute Dr. Kamalesh Awasthi from Baroda and gave some glorious musical hits. Also we have some beautiful duets of Kishore Kumar-Asha Bhonsle with LP. 

    This year Laxmikant-Pyarelal narrowly missed the best music award. It was learnt that there was a long discussion for the best music award. LPтАЩs тАЬEK DUJE KE LIYEтАЭ and Kranti as well as тАЬNaseebтАЭ were strong contenders but jury decides to give it to Khaiyyam for his work in “Umrao Jaan” 

    Singer S P Balasubramanium won the best singer awards both National Award as well as тАЬFilmfareтАЭ..for his excellent singing in тАЬEk Duje Ke LiyeтАЭ.

    Female singer awards was won by Asha Bhonsle for тАЬUmrao JaanтАЭ..

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    As Many As top SEVEN out of TEN, songs belongs to Laxmikant-Pyarelal. 

    No 32 Hum Bane Tum Bane..Lata-SPB..тАЭEk Duje Ke LiyeтАЭ

    No 30 Mere Naseeb Main ..Lata тАЬNaseebтАЭ

    No 27 Mere Dost Kissa..Rafi..тАЭDostanaтАЭ

    No 26 Lui Shamasha Ui..Lata-Nitin Mukesh..тАЭKrantiтАЭ

    No 16 Chal Chameli ..Lata-Suresh Wadkar..тАЭKrodhiтАЭ

    No 12 Ek Rasta Do Rahi..Rafi-Kishore..тАЭRam BalramтАЭ

    No 10 John Jony Janardan..Rafi,.тАЭNaseebтАЭ

    No 08 Mere Jeevan Sathi..SPB-Anurdha..тАЭEk Duje Ke LiyeтАЭ

    No 07 Mar Gayi Muze ..Kishore-Asha..тАЭJudaiтАЭ

    No 06 Chana Zor Garam..Kishore, Rafi, Kishore, N Mukesh..тАЭGranit 

    No 05 Tere Mere Beech Main ..Lata/SPB..тАЭEk Duje Ke LiyeтАЭ 

    No 03 Chal Chal Mere Bhai..Rafi, Amitabh..тАЭNaseebтАЭ

    No 02 Zindagi Ki Na Tute Ladi..Lata-N Mukesh..тАЭKrantiтАЭ

     ————————————————————————————

    LAXMIKANT-PYARELAL  1982

    LP v/s Other Prominent Musical Hits of the year 1982

    RD Burman:- Sanam Teri Kasam, Shakti, Teri Kasam, Satte Pe Satta, Zamane Ko Dikhana Hai, Bemisal, Shaukin, Kalaiya, Mahan. 

    Ravi:- Nikaah

    Kalyanji-Anandji:- Vidhata

    Rajesh Roshan:- Khuddar, Kamchor

    Bappi Lahiri:- Namak Halal, Disco Dancer. 

    Naushad:-Dharam Kanta 

    Khayyam:- Baazar. 

    Laxmikant-Pyarelal:- Prem Rog, Apna Bana Lo, Desh Premi, Rajput, Deedar-E-Yaar, Raaste Pyar Ke, Ghazab, Jeevan Dhara, Mehandi Rang Layegi, Samrat etc..

    Laxmikant-Pyarelal maintained top position with maximum no of hits. However RD Burman gave tough challenges to LP. Although this yearтАЩs Binaca Geet Mala was topped with the songs of Rajesh Roshan (Khuddar), Bappi Lahiri ( Namak Halal). 

    Laxmikant-Pyarelal struggled to find the substitute of Rafi..This year LP tried a young singer from Vadodara (Baroda) Shabbir Kumar..

    Laxmikant Pyarelal (PREM ROG), Bappi Lahiri (Namak Halal), Khayyam (Bazaar), Ravi

    (Nikaah) and R. D. Burman (Sanam Teri Kasam) were the strong contenders for the best music award. 

    After waiting for many years, finally, Filmfare gave justice to RD Burman and awarded him the best music award for his work in тАЭSanam Teri Kasam”. . It was RD BurmanтАЩs first filmfare award. However RD Burman has given some outstanding music in the past. Sometimes we fail to understand the philosophy/logic of the juries of filmfare awards.

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    No 31  Megha Re Megha Re ..Lata-Suresh Wadkar..тАЭPyasa SawanтАЭ

    No 29  Meri Kismat Mein Tu Nahin Shayad.. Lata-Suresh Wadkar тАЬ Prem RogтАЭ

    No 28  Mere Dildar Ka Baqpan ..Rafi-Kishore..тАЭDeedar-E-YaarтАЭ

    No 25  Sara Din Satate Ho..Kishore-Asha..тАЭRaaste Pyar KeтАЭ

    No 21  Mere Mehaboob Tuze Salam..Rafi-Asha.тАЭBagawatтАЭ

    No 20  Apane Apane Miyan Pe..Asha..тАЭApana Bana LoтАЭ

    No 18  Khatoon Ki Khidamat MainтАжKishore…тАЭDesh PremiтАЭ

    No 13  Chhod Maza Haat ..Kishore-Asha..тАЭFifty FiftyтАЭ

    No 12  Main Tum Main Sama Jaoun..SPB-Asha..тАЭRaaste Pyar KeтАЭ

    No 10 Mohbbat Hai Kya Cheez..Lata-Suresh..тАЭPrem RogтАЭ

    No 09 Pyar Ka Vaada Fifty Fifty ..Asha-Kishore..тАЭFifty FiftyтАЭ

    No 07 Hai Raju Hai Daddy..Rajeshwari-SPB ..тАЭEk Hi BhoolтАЭ

    No 05 Main Hoon Prem Rogi..Suresh Wadkar..тАЭPrem RogтАЭ

     —————————————————————

    LAXMIKANT-PYARELAL    1983

    LP v/s Other Prominent Musical Hits of the year 1983

    This year LP gave the music for the 12 movies. 

    Laxmikant-Pyarelal now completed 20 years in Hindi Film Music. They remained on top ever since the score of their first film тАЬParasmaniтАЭтАж1963. Laxmikant was just 26 years of age and Pyarelal was of 23 years, then. 

    LP were knowing the pulses of the masses and what is the liking for the today’s generations and continue to compose the music –

    R D Burman:- Swami Dada, Aamne Samne, Betab, Masoom, Bemisal, Pukar.

    Khayyam:- Raziya Sultana

    Kalyanji-Anandji:- Kalakar, Vidhata 

    Bappi Lahiri:- Himmatwala, Justice Chaudhari, Naukar Biwi Ka.

    Usha Khanna:- Sauten

    Anu Malik:- Ek Jaan Hai Hum

    This year we saw the emergence of one more new music director Nadeem Shravan..

    This year also Laxmikant-Pyarelal maintained no 1 position by giving maximum numbers of hits. This year too LP found missing Mohammd Rafi. This year they heavily relied on Shabbir Kumar..Also gave some good songs to newly emerged female singer Alka Yagnik.

    Laxmikant-Pyarelal:- Hero, Arpan, Coolie, Avtaar, Woh Saat Din, Andha Kanoon, Prem Tapasya etc..

    Laxmikant Pyarelal (HERO), Khayyam (Razia Sultan), R. D. Burman (Betaab and Masoom) and Usha Khanna (Souten), were nominated for the best music award. R D Burman won his second successive award for тАЭMasoomтАЭ.

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    For the second time, since 1963,  it was found LP songs missing in first TEN. 

    29 Yeh Andha Kanoon Hai ..Kishore Kumar..тАЭAndha KantonтАЭ

    25 Zindagi Mauj Udane Ka Naam ..Mahendra Kapoor тАЬAvtaarтАЭ 

    19 Likhne Wale Ne Likh Dale ..Lata-Suresh Wadkar..тАЭArpanтАЭ

    12 Meri Kismat Main Tu Nahin Shayad. Lata-Suresh Wadkar тАЬPrem RogтАЭ 

     тАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФ

    LAXMIKANT-PYARELAL   1984

    LP v/s Other Prominent Musical Hits of the year 1984

    This year too LP gave the music for as many as 15 films. 

    RD Burman:- Sunny, Anand Aur Anand, Zameen Aasman, Manzil Manzil, Jawani, Bheema, Karishmaa, Maati Mange Khoon..

    Bhappi Lahiri:- Quaidi, Makasad, Kamyab, Tohfa, Sharabi, Kasam Paida Karanewale Ki, Kaamyab, Wanted, Haisiyat. 

    Anu Malik:- Sohni Mahiwal

    Jagjit Singh:- Arth тАж.Tum Itana Jo Muskura Rahe Ho

    With songs of тАЬHeroтАЭ( released in late 1983) very much in demand in the year 1984, LP continued to be dominating the musical scores. But this year it was Bappi Lahiri gave tough challenges to LP. 

    Laxmikant-Pyarelal:- Pyar Jhukta Nahin, Do Dilon Ki Dastan, Asha Jyoti, All Rounder, Aklmand, Inquilab, Ghar Ek Mandir. 

    Anuradha Paudwal wins her first award for the song Mere Man Baje Mridang from тАЭUtsav. тАЬ

    The best lyricists award also went to тАЭUtsavтАЭ for the ever-fresh Lata-Asha duet song Man Kyon Behaka Re Behaka to Shri Vasant Deo. 

    Laxmikant-Pyarelal ( UTSAV), Bappi Lahiri ( Tohfa) and Anu Malik ( Sohini Mahiwal) were strong contenders for the best music award. However Bappi Lahiri won his only music award for his work in тАЭSharabiтАЭ.

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    26 Lambi Judai ..ReshmaтАжтАЭHeroтАЭ 

    21 Bichhu Lad Gaya ..Kishore-Asha тАЬInquilaabтАЭ 

    17 Mujhe Peene Ka Shonkh Nahin ..Shabbir-Anuradha тАЬCoolieтАЭ 

    11 Ding Dong O Babby Sing A Song ..Manhar Udhas-Anuradha Pandwal..тАЭHeroтАЭ

    10 Pyar Karnewale Kabhi ..Manhar Udhas- Lata тАЬHeroтАЭ

    08 Ooi Margayi Dr Babu..Alka Dagnik – Shailendra singh тАЬGhar Ek MandirтАЭ 

    05 Dono Jawani Ki Masti Main ..Shabbir – Asha ..тАЭCoolieтАЭ 

    01 Tu Mera Janu Hai .Anuradha-Manhar тАжтАЭHeroтАЭ 

    LAXMIKANT-PYARELAL    1985

    LP v/s Other Prominent Musical Hits of the Year 1985

    This year LP gave the music for as many as 13 films. 

    R D Burman:- Sagar, Sitamgar, Zabardast, Alag Alag, Lava, Hum Nau Jawan, Ruswai, Shiva Ka Insaaf.

    Rajesh Roshan:- Aakhir Kyon

    Bappi Lahiri:- Giraftar, Aitbar, Mohabbat, Babu, Saheb, Patal Bhairavi

    Ravindra Jain:- Ram Teri Ganga Maili.

    Laxmikant-Pyarelal confidently continues their musical journey and maintained the top position in terms of hit music. Likewise last year, this year too Bappi Lahiri gave some challenges to LP but it was not sufficient enough to snatchLP’s no 1 position.

    Laxmikant-Pyarelal:- Teri Meharbaniyan, Utsav, Ghulami, Jawab, Meri Jung, Radon Ki Kasam, Sarfarosh, Mera Ghar Mere Bachche, Mera Jawab

    This year LP started using relatively new female singers like Kavitha Krishnmurthy, Alka Yagink, Anuradha Paudwal, S. Janaki etc.. at the same time on male singers, apart from Kishore Kumar, they also started giving songs to Shabbir Kumar, Suresh Wadkar, Nitin Mukesh, Mahar etc. and produced some melodious songs. 

    The biggest surprise was LPтАЩs music in тАЭSur Sangam”. The music pattern was changing, people’s liking had changed but this time LP did with style and kept the mouth shut of all the critics. Even today the music of “Sur Sangam” are in much demand. 

    One can enjoy all the songs of тАЬSur SangamтАЭ on 

    http://ww.smashits.com/video/hindi-songs/music/2140/sur-sangam.html

    Laxmikant-Pyarelal (тАЬSUR SANGAMтАЭ and тАЬMERI JUNGтАЭ ), R D Burman (тАЬSagarтАЭ) and Ravindra Jain ( тАЬRam Teri Ganga MailiтАЭ) were strong contenders for the best music award. 

    At the end Ravindra Jain wins his only award for the music of тАЬRam Teri Ganga MailiтАЭ.

    BINACA Geetmala Standing in Annual Countdown.. ( 32 songs ) 

    32 Man Kyon Behka ..Lata-Asha..тАЭUtsavтАЭ

    26 Dil Bequrar Tha Dil Bequrar Hai..Anuradha-Shabbir..тАЭTeri MeharbaniyanтАЭ 

    18 Teri Meharbaniyan ..Shabbir Kumar ..тАЭTeri MeharbaniyanтАЭ 

    15 Zindagi Har Kadam .. Lata-Shabbir..тАЭMeri JungтАЭ

    14 Ziihal-E-Mushkil ..Lata-ShabbirтАжтАЭGhulamтАЭ

    10 Sri Devi Tu Nahin .Kishore KumarтАжтАЭSarfaroshтАЭ

    09 Tum Yaad Na Aaya Karo..Shabbir-Lata..тАЭJeene Nahi DoongaтАЭ 

    05 Chahe Laakh Toofan Aaye..Lata-Shabbir..тАЭPyar Jhukata NahinтАЭ

    02 Tumse Mil Ke Na Jane Kyon ..Shabbir-Kavitha .тАЭPyar Jhukata NahinтАЭ 

    ——————————————————————————-

    LAXMIKANT-PYARELAL   1986

    LP v/s Other Prominent Musical Hits for the year 1986

    R D Burman:- Jeeva, Samundar, Ek Main Aur Ekk Tu

    Kalyanji-Anandji:- Chameli Ki Shadi, Jaanbaz

    Bappi Lahiri:- Tarzan, Suhagan. 

    Laxmikant- Pyarelal:- Karma, Nagina, Aakhri Rasta, Aag Aur Shola, Naam, Love 86, Amrit , Nache Mayuri, Aap Ke Saath, Swarg Se Sunder, 

    Once again it was a clean sweep by Laxmikant-Pyarelal. This year too no competition for LP. 

    Laxmikant-Pyarelal boldly introduced todayтАЩs sensational singer Sukhwinder Singh. Actually late Laxmikant herd young Sukhwinder Sing singing the song Sola Baras Ki Bali Umar Ko Salam in one of the functions in Punjab

    and immediately called for recording the songs of тАЬNaamтАЭ and тАЬKarmaтАЭ. Today he is right on top of his profession. 

    LP were desperately looking for the substitute of Mohammad Rafi. This year they also introduced Mohammad Aziz. 

    Other than Lata Mangeshkar and Asha Bhonsle..LP continued trying new talented female singers Alka Yagnik, Anuradha Paudwal, Kavitha Krishmurthy and S. Janki

     and composed some popular and hit songs. 

    Unfortunately this year filmfare did not announce any award. But it was sure Laxmikant-Pyarelal could have won the award either for тАЭNaamтАЭ, тАЬKarmaтАЭ or тАЬNaginaтАЭ..There were no other major musical hits from any of the music directors in the year 1986.

    BINACA Geetmala Standing in Annual Countdown.. ( 38 songs ) 

    Once again top three songs belongs to Laxmikant-Pyarelal 

    38 O Miss De De Kiss ..Suresh Wadekar-Shailendra Sigh тАжтАЭLove 86тАЭ

    35 Tu Kal Chala JayegaтАжMohammad Aziz-Manhar..тАЭNaamтАЭ 

    34 Bol Baby Bol Rock-n-Roll ..Kishore-S Janki ..тАЭMeri JungтАЭ 

    29 Bhala Hai Bura HaiтАж.Anuradha..тАЭNaseeb Apana ApanaтАЭ 

    27 Ek Ladaki Jiska Naam ..Mohammad Aziz-KavitaтАжтАЭAag Aur SholaтАЭ

    26 Amiron Ki Shaam ..Mohammad AzizтАжтАЭNaamтАЭ..

    23 Maika Piya Bulawe..Suresh Wadkar-Lata..тАЭSur SangamтАЭ 

    17 Man Kyon Behaka ..Lata-Asha ..тАЭUtsavтАЭ

    15 Pyar Kiya Hai ..Shabbir-Kavitha .тАЭPyar Kita Hai Pyar KarrendeтАЭ

    12 Chichi Aayi Hai..Pankaj Uhdes тАЬNaamтАЭ

    11 Bahron Ki Ranginiyon ..Shabbir..тАЭNaseeb Apana ApanaтАЭ 

    07 Gori Ka Sajan..S Janaki-Mohammad Aziz..тАЭAakhri RastaтАЭ 

    05 Zindagi Har Kadam..Lata-Shabbir..тАЭMeri JungтАЭ 

    03 Har Karam Apna Karenge..Kavitha-Mohammad Aziz..тАЭKarmaтАЭ

    02 Duniya Main Kitana Ghum Hai..Mohammad Aziz..тАЭAmritтАЭ 

    01 Yashoda Ka NandlalaтАжLata MangeshkarтАжтАЭSanjogтАЭ 

     ———————————————————-

    LAXMIKANT-PYARELAL  1987

    LP v/s Other Prominent Musical Hits of the Year 1987

    R D Burman:- Ijaazat, Apane Apane.

    Bappi Lahiri:- Dance Dance, Aag Hi Aag

    Kalyanji-Anandji:- Imandar, Kaliyug Aur Ramayan

    Anu Malik:- Insaniyat Ke Dushman

    Rajesh Roshan:- Khudgarz

    Amar-Utpal:- Shanshanh

    With the songs of LPтАЩs тАЬNaamтАЭ, тАЬNaginaтАЭ and тАЬKarmaтАЭ released in late 1986, again Laxmikant-Pyarelal dominates the show for the year 1987. Laxmikant-Pyarelal introduced new singers. This time they introduced female singer Alisha Chinoy for the song Kate Nahin Katate ..I Love You… 

    LP also gave some good songs to the other leading female singers like Alka Yagnik, Kavitha Krishnamurthy, Anuradha Paudwal. On the male singers they have to contend with Kishore Kumar and also gave some good melodies to Mohammad Aziz, Suresh Wadkar, Manahar, Shabbir Kumar etc. 

    Laxmikant-Pyarelal:- Mr. India, Kudarat Ka Kanoon, Aulad, Mard Ki Zaban, Sindoor, Loha, Sansaar, Nazarana. 

    This year too Filmfare did not announce any award and hence once again Laxmikant-Pyarelal lost the opportunity to win the best music award, unanimously, for the film тАЭMR INDIAтАЭ

    On a very sad note music lover lost Kishore Kumar on 13th October, 1987. An end of an ERA.

    BINACA Geetmala Standing in Annual Countdown.. ( 29 songs ) 

    26 Na Tumne Kiya Na Maine Kiya тАжLataтАжтАЭNache MayuriтАЭ

    24 Ram Ram Bol ..Shabbir-Alka-Kavita..тАЭHukumatтАЭ 

    19 Naam Sare..Mohammad Aziz-LataтАжтАЭSindoorтАЭ 

    14 Hawa Hawai ..Kavita ..тАЭMr IndiaтАЭ

    13 De De Did Football..Kavitha..тАЭMr IndiaтАЭ 

    11 Karate Hai Hum Pyar..Kishore-Kavitha..тАЭMr IndiaтАЭ 

    08 Amiron Ki Sham..Mohammad Aziz..тАЭNaamтАЭ

    05 Tune Bechain Itna Kiya..Mohammad Aziz..тАЭNaginaтАЭ 

    04 Main Teri DushamanтАжLataтАж.тАЭNaginaтАЭ

    03 Na Jaiyo Pardes..Kavitha..тАЭKarmaтАЭ

    01 Chitthi Aayi Hai ..Pankaj Uhdes ..тАЭNaamтАЭ

     ——————————————————————

    LAXMIKANT-PYARELAL   1988

     LP v/s Other Prominent Musical Hits for the Year 1988

    Bappi Lahiri:- Hatya, Kasam, 

    Rajesh Roshan:- Dariya Dil, Khoon Bhari Mang, Kash

    Usha Khanna:- Pyar Ki Jeet

    Anu Malik:- Jeete Hai Shan Se

    Uttam-Jagdish:- Waris

    Ravi:- Awam

    This year Hindi Film Music witnessed the emergence of new talented, young music directors, Anand-Milind, sons of music directors Chitragupt and one time assistants to Laxmikant-Pyarelal.

    Anand-Milind:- Quyamat Se Quyamat. 

    This year also Laxmikant-Pyarelal remined on top with super hit music of тАЬDayawanтАЭ, тАЭTezaabтАЭ, тАЬEeshwarтАЭ etc. This year Laxmi-Pyare introduced Jolly Mukharjee. They also give a huge all time hit song to Alka Yagnik. Ek Do Teen . 

    Laxmikant-Pyarelal:- Eeshwar, Tezaab, Dayawan, Biwi Ho To Aisi, Ram Awatar, Gharana, Pyar Mohabbat, Pyar Ka Mandir and many more. 

    Filmfare started giving awards this year. Laxmikant-PyarelalтАЩs super duper musical hit тАЭTEZAABbтАЭ and Anand-MilindтАЩs тАЬQuyamat Se Quyamat TakтАЭ were only strong contenders for the best music award. Jury decides to give it toтАЭQuyamat Se Quyamat TakтАЭ. Thus Anand-Milind got their only filmfare award. 

    TodayтАЩs famous singer Udit Narayan also started his carrier and won the best award for the singer, for Papa Kehte Hain Bada Naam KaregaтАж

    BINACA Geetmala Standing in Annual Countdown.. ( 27 songs ) 

    27 Log Jahan Par Rahate Hai ..Suresh-Mohmmad Aziz-Kavita..тАЭPyar Ka MandirтАЭ

    25 Phool Gulab KaтАжAnuradha-Mohammad Aziz..тАЭKiwi Ho To AisiтАЭ

    22 Maine Hi Ek Geet Likha HaiтАжShabbir Kumar..тАЭHamara KhandanтАЭ 

    17 Patazad Sawan Basant Bahar..Suresh Wadkar-Lata, тАЬSindoorтАЭ 

    13 Keh Do Ki Tum Meri Ho ..Anuradha-Amit Kumar..тАЭTezaabтАЭ

    12 Jab Pypar Kiya ..Mohammad Aziz-Anuradha ..тАЭWatan Ke RakhwaleтАЭ

    11 Aaj Phir Tum Se Pyar Aaya Hai..Anuradha-Pankaj Uhdes тАЬDayavaanтАЭ 

    09 Ek Do Teen Chaar..Alka Yagnik/Amit Kumar..тАЭTezaabтАЭ

    07 Ungli Mein Angoothi ..Mohammad Aziz-Lata ,,тАЭRam AvtarтАЭ 

    02 Tuze Itna Pyar Karen..Lata-Shabbir,.тАЩтАЩтАЭKudrat Ka KanoonтАЭ

     ———————————————————————-

    LAXMIKANT-PYARELAL    1989

    LP v/s Other Musical Hits for the Year 1989

    This year LP gave the music for as many as 15 films and at the same time they crossed the 400 number. Subhash GhaiтАЩs тАЭRam LakhanтАЭ was Laxmikant-PyarelalтАЩs 400th film. 

    Bappi Lahiri:- Love Love Love

    Kalyanji-Anandji:- Data, Tridev

    Anand Milind:- Lal Dupatta Malmal Ka

    Anu Malik:- Toofan 

    Shiv-Hari:- Chandani

    Hasan Jahangir:- Hawa Hawa Ye Bata

    Ram-Laxman:- Maine

    Pyar Kiya..

    Once again Laxmikant-Pyarelal continues to top the number of hits in this year too. This year KA (Tridev) , Ram Laxman (Maine Pyar Kiya), and Shiv-Hari (Chandani) gave some challenges to LP. 

    It is interesting to note that LP composed some good / popular / hit music by using the new names like, Mohammad Aziz, Alka Yagnik, Kavitha Krishnmurthy, Manahar Udhas, Amit Kumar. They also gave few songs to Lata Mangeshkar, Asha Bhonsle and Mahendra Kapoor. 

    Laxmikant-Pyarelal:- Ram Lakhan, Batwara, Santosh, Chalbaaz, Nigahen, Bhrashtachaar, Bade Ghar Ki Beti etc.

    Laxmikant-PyarelalтАЩs тАЭRAM LAKHANтАЭ, Kalyanaji-AnandjiтАЩs тАЬTridevтАЭ, Shiv-HariтАЩs тАЬChandaniтАЭ and Ram LaxmanтАЩs тАЬMaine Pyar KiyaтАЭ were the strong contenders for the best music award. Jury decides not to give it to LPтАЩs тАЬRam LakhanтАЭ but to give it to Ram LaxmanтАЩs тАЬMaine Pyar KiyaтАЭтАж

    BINACA Geetmala Standing in Annual Countdown.. ( 22 songs ) 

    19 Chahe Tu Meri Jaan Le Le..Jolly Mukharjee..тАЭDayavanтАЭ 

    18  Dil Tera Kisne Toda..Mohammad Aziz..тАЭDayavanтАЭ 

    10 Muze Tumse Hai Kitten тАжManhar Udhas-Anuradha тАЬRam LakhanтАЭ

    08 So Gaya Ye Jahan..Nitin Mukesh, Alka, Shabbier тАЬTezaabтАЭ

    07 Tere Lakhan Ne Bada Dukh..Lata Mangeshkar..тАЭRam LakhanтАЭ 

    06 Kehdo Ke Tum Ho ..Anuradha-Amit Kumar..тАЭTezaabтАЭ

    04 Hum Tumhe Itan Pyar Karenge..Anuradha-Mohammad AzizтАжтАЭBees Saal BaadтАЭ

    01 One Two Ka Four..Mohammad Aziz..тАЭRam LakhanтАЭ 

    ——————————————————————

    LAXMIKANT-PYARELAL   1990

    LP v/s Other Prominent Musical Hits of the year 1990..

    This year LP gave the music for as many as 20 films. 

    Bappi Lahiri:- Aaj Ka Arjun, Ghar Ka Chirag, 

    Rajesh Roshan:- Kishan Kanhaiyya, 

    Anand Milind:- Aayi Milan Ki Raat, Dil, Baaghi. 

    Anu Malik:- Tum Mere Ho

    Ved Pal:- Sauntan Ki Beti

    Nadeem-Shravan:- Aashiqui 

    Laxmikant-Pyarelal:- Izzatdaar, Jamai Raja, Pati Patni Aur Tawayaf, Jeevan Ek Sangharsh, Khilaaf, Hatimtai, Agneepath, Sheshnaag etc..

    This year although LP gave maximum films and tried number of new singers, also tried new combinations for duet..but ..but for the first time in last 28 years LPтАЩs songs were not appearing in the top first five. The only saving grace was the song from тАЬPati Patni Aur TawaifтАЭ..Kehna Na Tum Kisi Se ( 8th position in Binaca Geet Mala) was a hit but not to the reputation of LP. 

    This year there was also a rift between Laxmikant and Pyarelal both of them almost decided to separate. For two weeks no talk, no recording of the songs of LP..an unusual thing….Lata Mangeshkar, Music director Naushad, Producer-Director Subhash Ghai took the initiative and resolved the rift between Laxmikant and Pyarelal. Till date no one knows what had happened to the long lasting friendship of L and P.It is still a secret . But it has certainly affected them heavily. 

    This year’s musical show was stolen by Nadeem-Shravan for their super duper music in тАЭAashiquiтАЭтАжthe songs were like a storm this year. Anand-Milind also gave some excellent music in тАЭDilтАЭ. It was one of the rare year in which Laxmikant-PyarelalтАЩs name did not appear in the nominations for the best music award. Nadeem-Shravan, unanimously, won the best music award, for their excellent work in тАЭAshiquiтАЭ.

    BINACA Geetmala Standing in Annual Countdown.. ( 26 songs ) 

    25 Tera Bimar Mera Dil..Mohammad Aziz-Kavita.тАЭChalbaazтАЭ 

    21 Kehna Na Tum Yeh Kisi Se..Salma Agha-Mohammad Aziz..тАЭPati Patni Aur TawaifтАЭ

    19 Na Jane Kahan Se Aayi Hai..Amit-Kavitha- тАЬChaalbaazтАЭ 

    05 Jumma Chumma De DeтАжSudesh Bhonsle..тАЭHumтАЭ 

     —————————————————————

    LAXMIKANT-PYARELAL  1991

     LP v/s Other Prominent Musical Hits of the Year 1991

    Nadeem Shravan:- Sajan, Dil Hai Ke Manata Nahin, Sadak, Phool Aur Kaante

    Ram Laxman:- Patthar Ke Phool, 100 Days.

    Hridaynath Mangeshkar:- Lekin

    Anand-Milind:- Kurban, Baaghi

    Bappi Lahiri:-Phool Bane Angare, First Love Letter

    Rajesh Roshan:- Bahar Aane Tak

    Ravindra Jain:- Heena

    Shiv-Hari:- Lamhe 

    Laxmikant-Pyarelal:- Narsimha, Hum, Prahar, Pyar Ka Devata, Saudagar, Hum, Badi Bahan, Prahar, Ajooba and many more.

    Laxmikant-Pyarelal has some mega hit songs from тАЬHumтАЭ, тАЬSaudagarтАЭ. Music of “Prahar” was different from other LP’s musical hits in the nineties. Quantity wise LPs were on top. LP once again bounced back to number 1 position which was affected because of the rift between L and P, last year. At the same time Laxmikant-Pyarelal started regularly using new generations singers like Udit Narayan and Alka Yagnik. They also boldly introduced Sudesh Bhonsle and Vinay Mandke and Alpana Deshpande. Whenever situation demanded LP also gave some good songs for Lata Mangeshkar. 

    This year Nadeem-Shravan gave a real challenge to LP. It was a balanced equation of the hit songs from LP and NS. I would say being fresh in Nadeem-ShravanтАЩs music they have an edge this year. Ram-Laxman also gave some good music. Hridaynath Mangeshkar’s “Lekin” music was also a highlight of the year. 

    Best Music Award..Once again Laxmikant-Pyarelal were nominated for тАЬHUMтАЭ and тАЬSAUDAGARтАЭ, Hridaynath Mangaeshkar was nominated for тАЬLekinтАЭ, Nadeem-Shravan were nominated for тАЬSajanтАЭ and тАЬPhool Aur KaateтАЭ. FinallyNadeem-Shravan won their second successive award for the best music for their melodious music in тАЬSajanтАЭ.

    BINACA Geetmala Standing in Annual Countdown.. ( 28songs ) 

    19 Imali Ka Buta ..Sudesh Bhonsle-Mohammad Aziz..тАЭSaudagarтАЭ 

    15 Kagaz Kalam Dawat ..Mohammad Aziz-Shoah Joshi..тАЭHumтАЭ 

    11 Jaon Tum Chahe Jahan  ..Amit Kumar-Alka Yagnik  тАЬNarsinhaтАЭ 

    09 Ilu Ilu Kya Hai..Manhar-Kavitha..тАЭSaudagarтАЭ 

    05 Saudagar Sauda Kar..Kavitha-Manhar-Sukhvinder Singh. тАЬSaudagarтАЭ 

    тАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФ-

    LAXMIKANT-PYARELAL 1992

    Rajesh Roshan: Khel

    Nadeem-Shravan: Dil Ka Kya kasoor, Deewana

    Anand-Milind: Beta, Bol Radha Bol, Vansh, Sangeet

    Jatin-Lalit: Jo Jeeta Wohi Sikander, Khiladi, Raju Ban Gaya Gentleman

    Bappi Lahiri: Zindagi Ek Juaa

    Viju Shah: Vishwatma

    Shyam-Surender: Mashooq, 

    Anu Malik: Chamatkar

    Laxmikant-Pyarelal:–Khuda Gawah, Heer Ranjha, audio of Roop Ki Rani ChoronKa Raja

    BINACA Geetmala Standing in Annual Countdown.. ( 23songs ) 

    22 Tu Roop Ki Raani ..Amit Kumar-Kavita..тАЭRoom Ki Rani Choron Ka RajaтАЭ 

    13 Pee Pee Piya ..Alka-Udit Narayan..тАЭPrem DeewaneтАЭ 

    03 Tu Meze Kubul Main Tuze Kubul ..Mohammad Aziz-Kavitha..тАЭKhuda GawahтАЭ

    тАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФтАФ

    LAXMIKANT-PYARELAL  1993

    Nadeem-Shravan: Hum Hain Rahi Pyaar Ke

    Shiv-Hari: Darr, Sahibaan

    Dr Bhupen Hazarika: Rudaali

    Jatin-Lalit: Audio of Kabhi Haan Kabhi Naa

    Anu Malik: Baazigar, Sir, Phir Teri Kahani Yaad Aayi

    Anand-Milind: Anari

    A.R.Rahman: Roja

    Bappi Lahiri: Dalaal, Aankhen

    Pt. Hridaynath Mangeshkar: Maya Memsaab

    Laxmikant-Pyarelal:- Khalnayak, Aashiq Aawara, Roop Ki Rani Choron Ka Raja, TejaswiniтАж

    Laxmikant-Pyarelal nominated for best music award for тАЬKHALNAYAKтАЭ. The award was won by Anu Malik for тАЬBazigarтАЭ 

    BINACA Geetmala Standing in Annual Countdown.. ( 25songs ) 

    23 Main Tera Aashiq  Hoon тАЬGumrahтАЭ ..Roop Kumar Rathod

    16 Nayak Nahin Kahalnayak Houn Main тАжVinod Rathod-Kavitha..тАЭKhalnayakтАЭ  

    01 Cholli Ke Pichhe Kya Hai тАжAlka Yagnik-Ila Aroon тАЬKhalnayakтАЭ 

    тАФтАФтАФтАФтАФ-

    25th May, 1998. End of an “LP” era. Due to sickness of Laxmikant, LP had reduced the work. Still they give many hit songs till 1998.


    Raj Kumar, Bhairavi, Dilber, Prem Granth, Prem, Trimurti, Tejaswini, Dhun and Deewana Mastana..


    And the Long – Playing Partnership broken:-On 25th May, 1998

    Long Playing ,Record Breaking Partnership of Laxmikant-Pyarelal broke as Shri Laxmikant died of kidney failure. This partnership / friendship lasted for 45 years, including non-stop 35 years of Bollywood Music. Laxmikant-Pyarelal, the most successful music directors of Bollywood Music.

    That’s the end of an “LP” era.

    Laxmikant-Pyarelal 1963 to 1998. 503 films, 2850 songs, 72 songwriters and 157 singers. A Massive Contribution In Hindi Film Music.

    Laxmikant-Pyarelal, the most successful music directors of Hindi Cinema

    Entire Hindi Film Music lovers were stunned.   I remember LPтАЩs one of the finest compositions, written by Anand Bakshi and sung by late Mukesh from Film “PushpanjaliтАЭ тАж.тАЭDuniya Se Jane Wale Jane Chale Jate Hai Kahan Kaise Dhundhe Koi Unko Nahin Kadamon Ke Hi NishanтАЭтАж.

    LONG LIVE Laxmikant-Pyarelal Music.

    Ajay Poundarik, Atlanta (Georgia), USA, 24th, May, 2020.

  • рд╕рд╛рда рдХреЗ рджрд╢рдХ рдХреА рджреВрд╕рд░реА рдЫрдорд╛рд╣реА, рд╣рд┐рдВрджреА рдлрд┐рд▓реНрдо рд╕рдВрдЧреАрдд, рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреА рд╕рдВрдкреНрд░рднреБрддрд╛

    рд╕рд╛рда рдХреЗ рджрд╢рдХ рдХреА рджреВрд╕рд░реА рдЫрдорд╛рд╣реА, рд╣рд┐рдВрджреА рдлрд┐рд▓реНрдо рд╕рдВрдЧреАрдд, рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреА рд╕рдВрдкреНрд░рднреБрддрд╛

    рд╕рд╛рда рдХреЗ рджрд╢рдХ рдХреА рджреВрд╕рд░реА рдЫрдорд╛рд╣реА, рд╣рд┐рдВрджреА рдлрд┐рд▓реНрдо рд╕рдВрдЧреАрдд, рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреА рд╕рдВрдкреНрд░рднреБрддрд╛

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓, рд╡рд░реНрд╖рд╡рд╛рд░, рд╕рдВрдЧреАрдд рдпрд╛рддреНрд░рд╛ (рд╕рдВрдЧреАрдд рд╣рд┐рдЯ рдлрд┐рд▓реНрдореЗрдВ) рдХреА рддреБрд▓рдирд╛ 1963 рд╕реЗ 1993 рддрдХ рдЕрдиреНрдп рд╕рдордХрд╛рд▓реАрди рд╕рдВрдЧреАрдд рдирд┐рд░реНрджреЗрд╢рдХреЛрдВ рдХреА рдкреНрд░рдореБрдЦ рд╕рдВрдЧреАрдд рд╣рд┐рдЯ рдлрд┐рд▓реНрдореЛрдВ рдХреЗ рд╕рд╛рде рдХреА рд╣реИред рдкреНрд░рддреНрдпреЗрдХ рд╡рд░реНрд╖ рдХреЗ рддреБрд▓рдирд╛рддреНрдордХ рд╡рд┐рд╡рд░рдг рдХреЗ рдЕрдВрдд рдореЗрдВ рдореИрдВрдиреЗ рдЙрди рдЧреАрддреЛрдВ рдХреА рд╕реВрдЪреА рднреА рджреА рд╣реИ, рдЬрд┐рдиреНрд╣реЗрдВ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓рдиреЗ рд╕рдВрдЧреАрддрдмрджреНрдз рдХрд┐рдпрд╛ рдЧрдпрд╛ рд╣реИ рдФрд░ рдлрд╛рдЗрдирд▓ рдмрд┐рдирд╛рдХрд╛ рдЧреАрддрдорд╛рд▓рд╛ рд╕реНрдЯреИрдВрдбрд┐рдВрдЧ рдореЗрдВ рдирдЬрд░ рдЖрдП. рдлрд╝рд┐рд▓рд╣рд╛рд▓ рд╣рдо рд╕рд╛рда рдХреЗ рджрд╢рдХ рдХреА, 1963 рд╕реЗ  – 1969 рддрдХ рдЪрд░реНрдЪрд╛ рдХрд░реЗрдВрдЧреЗред 

    рджрд┐рдЧреНрдЧрдЬ рд╕рдВрдЧреАрддрдХрд╛рд░реЛрдВ, рдиреМрд╢рд╛рдж, рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди, рдУ рдкреА рдирдпреНрдпрд░, рдорджрди рдореЛрд╣рди, рдРрд╕ рдбреА рдмрд░реНрдорди, рд░реЛрд╢рди, рдЪрд┐рддреНрд░рдЧреБрдкреНрдд, рд╕рд▓рд┐рд▓ рдЪреМрдзрд░реА, рд╣реЗрдордВрдд рдХреБрдорд╛рд░, рд░рд╡рд┐, рдХрд▓реНрдпрд╛рдгрдЬреА-рдЖрдирдВрджрдЬреА>>рдЖрджрд┐ рдХреА рдореМрдЬреБрджрдЧреА рдореЗрдВ тАЬрдкрд╛рд░рд╕рдордгреАтАЭ резрепремрей, рд╕реЗ рдиреМрдЬрд╡рд╛рди рд╕рдВрдЧреАрддрдХрд╛рд░ рдХреА рдЬреЛрдбрд╝реА рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреА рдзрдорд╛рдХреЗрджрд╛рд░ рд╢реБрд░реБрдЖрддреНрддред  

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ 1963

    1963 рдореЗрдВ  рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдФрд░  “рдЕрдиреНрдп рдкреНрд░рдореБрдЦ рддрддреНрдХрд╛рд▓реАрди рд╕рдВрдЧреАрддрдХрд░реЛрдВ ” рдХреА рд╕рдВрдЧреАрддрдордп рд╣рд┐рдЯ рдлрд┐рд▓реНрдореЗ 

    рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди:–рдкреНрд░реЛрдлреЗрд╕рд░-рд╣рдорд░рд╛рд╣реА-рджрд┐рд▓ рдПрдХ рдордВрджрд┐рд░

    рд░реЛрд╢рди:- -рддрд╛рдЬрдорд╣рд▓-рджрд┐рд▓ рд╣реА рддреЛ рд╣реИ

    рдПрд╕ рдбреА рдмрд░реНрдорди:–рдмрдВрджрд┐рдиреА-рддреЗрд░реЗ рдШрд░ рдХреЗ рд╕рд╛рдордиреЗ

    рдиреМрд╢рд╛рдж :– рдореЗрд░реЗ рдорд╣рдмреВрдм

    рд░рд╛рдорд▓рд╛рд▓:- — рд╕реЗрд╣рд░рд╛

    рд░рд╡рд┐:-тАФрдЧреБрдорд░рд╛рд╣

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рдкрд╛рд╕ рд╕рд┐рд░реНрдл рджреЛ рдлрд┐рд▓реНрдореЗрдВ рдереАрдВ “рдкрд╛рд░рд╕рдордгреА” рдФрд░ “рд╣рд░рд┐рд╢реНрдЪрдВрджреНрд░ рддрд╛рд░рд╛рдорддреА”ред рдпреЗ рдлрд┐рд▓реНрдореЗрдВ рд╕рд╛рд▓ рдХреА рдЖрдЦрд░реА  рддрд┐рдорд╛рд╣реА рдореЗрдВ рд░рд┐рд▓реАрдЬ рд╣реБрдИ рдереАрдВред

    рд╕рдВрдЧреАрдд рдирд┐рд░реНрджреЗрд╢рдХ рд░реЛрд╢рди рдиреЗ рдиреМрд╢рд╛рдж рдХреА “рдореЗрд░реЗ рдорд╣рдмреВрдм” рдФрд░ рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди рдХреА “рджрд┐рд▓ рдПрдХ рдордВрджрд┐рд░” рдХреЛ рдкрдЫрд╛рдбрд╝рддреЗ рд╣реБрдП          “рддрд╛рдЬ рдорд╣рд▓” рдХреЗ рд▓рд┐рдП рд╕рд░реНрд╡рд╢реНрд░реЗрд╖реНрда рд╕рдВрдЧреАрдд рдирд┐рд░реНрджреЗрд╢рдХ рдХрд╛ рдкреБрд░рд╕реНрдХрд╛рд░ рдЬреАрддрд╛ред

    резрепремрей рд╡рд╛рд░реНрд╖рд┐рдХ рдмрд┐рдирд╛рдХрд╛ рдЧреАрддрдорд╛рд▓рд╛ (рейреи рдЧрд╛рдиреЗ) рдФрд░ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рджреЛ рдЧрд╛рдиреЗред

    рдирдВрдмрд░ 15 рд╡реЛ рдЬрдм рдпрд╛рдж рдЖрдпреЗ  рд▓рддрд╛ – рд░рдлрд╝реА.. “рдкрд╛рд░рд╕рдордгреА”

    рдирдВрдмрд░ 06 рд╣рд╕реНрддрд╛  рд╣реБрдЖ рдиреВрд░рд╛рдиреА рдЪреЗрд╣рд░рд╛,  рд▓рддрд╛ – рдХрдорд▓ рдмрд╛рд░реЛрдЯ “рдкрд╛рд░рд╕рдордгреА”

    ———————–

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓…1964

    1964 рдореЗрдВ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдФрд░  “рдЕрдиреНрдп рдкреНрд░рдореБрдЦ рддрддреНрдХрд╛рд▓реАрди рд╕рдВрдЧреАрддрдХрд░реЛрдВ ” рдХреА рд╕рдВрдЧреАрддрдордп рд╣рд┐рдЯ рдлрд┐рд▓реНрдореЗ

    рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди:- рдЖрдИ рдорд┐рд▓рди рдХреА рдмреЗрд▓рд╛-рд░рд╛рдЬ рдХреБрдорд╛рд░-рд╕рдВрдЧрдо

    рдиреМрд╢рд╛рдж:— рд▓реАрдбрд░ 

    рдорджрдирдореЛрд╣рди:- рд╡реЛ рдХреМрди рдереА

    рдУрдкреА рдиреИрдпрд░:—рдХрд╢реНрдореАрд░ рдХреА рдХрд▓реА

    рд░рд╡рд┐:- рджреВрд░ рдХреА рдЖрд╡рд╛рдЬ

    рд░реЛрд╢рди:- рдЪрд┐рддреНрд░рд▓реЗрдЦрд╛

    рд░рд╛рдорд▓рд╛рд▓:- рдЧреАрдд рдЧрдпрд╛ рдкрддреНрдерд░реЛрдиреЗ

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓:– рдЖрдпрд╛ рддреВрдлрд╛рди, рдорд┐рд╕реНрдЯрд░ рдПрдХреНрд╕ рдЗрди рдмреЙрдореНрдмреЗ, рд╕рддреА рд╕рд╛рд╡рд┐рддреНрд░реА, рд╕рдВрдд рдЬреНрдЮрд╛рдиреЗрд╢реНрд╡рд░ рдФрд░ рджреЛрд╕реНрддреАред

    рдлрд┐рд▓реНрдордлреЗрдпрд░ рдкреБрд░рд╕реНрдХрд╛рд░:- рдирд╛рдорд╛рдВрдХрди рдорджрди рдореЛрд╣рди (“рд╡реЛ рдХреМрди рдереА”), рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди (“рд╕рдВрдЧрдо”) рдФрд░ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ (“рджреЛрд╕реНрддреА”)ред рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдиреЗ “рджреЛрд╕реНрддреА” рдХреЗ рд▓рд┐рдП рдЕрдкрдирд╛, рдкрд╣рд▓рд╛ рдлрд┐рд▓реНрдордлреЗрдпрд░ рдкреБрд░рд╕реНрдХрд╛рд░ рдЬреАрддрд╛ред

    резрепремрек  рд╡рд╛рд░реНрд╖рд┐рдХ рдмрд┐рдирд╛рдХрд╛ рдЧреАрддрдорд╛рд▓рд╛ рдФрд░ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рек рдЧрд╛рдиреЗред .. (рдХреБрд▓ 32 рдЧрд╛рдиреЗ)

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рдкрд╛рд╕ “рд╣рд░рд┐рд╢реНрдЪрдВрджреНрд░ рддрд╛рд░рд╛рдорддреА” рдХреЗ рдХреБрдЫ  рдЧреАрдд рд╣реИрдВ рдЬреЛ 1963 рдХреЗ рдЕрдВрдд рдореЗрдВ рд░рд┐рд▓реАрдЬрд╝ рд╣реБрдП рдереЗред

    рдирдВрдмрд░ 30 рдореИрдВ рдПрдХ рдирдиреНрд╣рд╛ рд╕рд╛ .. рд▓рддрд╛ .. “рд╣рд░рд┐рд╢реНрдЪрдВрджреНрд░ рддрд╛рд░рд╛рдорддреА”

    рдирдВрдмрд░ 26 рд░рд╛рд╣реА рдордирд╡рд╛ .. рд░рдлрд╝реА ..”рджреЛрд╕реНрддреА”

    рдирдВрдмрд░ 21 рдЪрд╛рд╣реВрдВрдЧрд╛ рдореИрдВ рддреБрдЭреЗ .. рд░рдлреА .. “рджреЛрд╕реНрддреА”

    рдирдВрдмрд░ 06 рдореЗрд░реЗ рдорд╣рдмреВрдм рдХрд╝рдпрд╛рдордд ..рдХрд┐рд╢реЛрд░ .. “рдорд┐рд╕реНрдЯрд░ рдПрдХреНрд╕ рдЗрди рдмреЙрдореНрдмреЗ”

    ——————————————————

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓….1965

    1965 рдореЗрдВ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдФрд░  “рдЕрдиреНрдп рдкреНрд░рдореБрдЦ рддрддреНрдХрд╛рд▓реАрди рд╕рдВрдЧреАрддрдХрд░реЛрдВ ” рдХреА рд╕рдВрдЧреАрддрдордп рд╣рд┐рдЯ рдлрд┐рд▓реНрдореЗ

    рдЖрд░ рдбреА рдмрд░реНрдорди:-рднреВрдд рдмрдВрдЧрд▓рд╛ред

    рдХрд▓реНрдпрд╛рдгрдЬреА-рдЖрдирдВрджрдЬреА:- рд╣рд┐рдорд╛рд▓рдп рдХреА рдЧреЙрдб рдореИрдВ,- рдЬрдм рдЬрдм рдлреВрд▓ рдЦрд┐рд▓реЗ,-рд╕рд╣реЗрд▓реА

    рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди:- рдкреНрд░реЛрдлреЗрд╕рд░, рдЖрд░рдЬрд╝реВ

    рд░рд╡рд┐:- тАФрдЦрд╛рдирджрд╛рди,тАФрд╡рдХреНрдд,

    рдПрд╕ рдбреА рдмрд░реНрдорди:–рддреАрди рджреЗрд╡рд┐рдпрд╛рдВ,–

    рд░реЛрд╢рди:- рднреАрдЧреА рд░рд╛рдд

    рдУ рдкреА рдиреИрдпрд░:- рдореЗрд░реЗ рд╕рдирдоред

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓:- рд▓реБрдЯреЗрд░рд╛, рд╢реНрд░реАрдорди рдлрдВрддрд╛рд╢, рд╣рдо рд╕рдм рдЙрд╕реНрддрд╛рдж рд╣реИ, рдмреЙрдХреНрд╕рд░ред

    рд╕рдВрдЧреАрдд рдирд┐рд░реНрджреЗрд╢рдХ рд░рд╡рд┐ рдиреЗ рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди рдХреА “рдЖрд░рдЬрд╝реВ” рдФрд░ рдХрд▓реНрдпрд╛рдгрдЬреА-рдЖрдирдВрджрдЬреА рдХреА “рд╣рд┐рдорд╛рд▓рдп рдХреА рдЧреЛрдж рдореИрдВ” рдХреЛ рдкрдЫрд╛рдбрд╝рддреЗ рд╣реБрдП “рдЦрд╛рдирджрд╛рди” рдХреЗ рд▓рд┐рдП рд╕рд░реНрд╡рд╢реНрд░реЗрд╖реНрда рд╕рдВрдЧреАрдд рдлрд┐рд▓реНрдордлреЗрдпрд░ рдкреБрд░рд╕реНрдХрд╛рд░ рдЬреАрддрд╛ред

    резрепремрел рд╡рд╛рд░реНрд╖рд┐рдХ рдмрд┐рдирд╛рдХрд╛ рдЧреАрддрдорд╛рд▓рд╛ рдФрд░ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рдЧрд╛рдиреЗред .. (рдХреБрд▓ 32 рдЧрд╛рдиреЗ)

    рдЬрдмрд░рдЬрд╕реНрдд рдЫрд▓рд╛рдВрдЧ рд▓рдЧрд╛рдЗ рд╕рдВрдд рдЬреНрдЮрд╛рдиреЗрд╢реНрд╡рд░ рдХреЗ рдЧрд╛рдиреЗ рдиреЗ, “рдЬреНрдпреЛрдд рд╕реЗ рдЬреНрдпреЛрдд рдЬрдЧрд╛рддреЗ рдЪрд▓реЛ”ред

    рдирдВрдмрд░ 29 рдЦреБрджрд╛рдпрд╛  рдореЛрд╣рдмреНрдмрдд рдирд╛ рд╣реЛрддреА .. рд░рдлрд╝реА … “рдмреЙрдХреНрд╕рд░”

    рдирдВрдмрд░ 25 рдХреЛрдИ рдЬрдм рд░рд╛рд╣ рдирд╛ рдкрд╛рдпреЗ..рд░рдлреА..рджреЛрд╕реНрддреА’

    рдирдВрдмрд░ 24 рдиреАрдВрдж рдирд┐рдЧрд╝рд╛рд╣реЛрдВ  рдХреА .. рд▓рддрд╛ .. “рд▓реБрдЯреЗрд░рд╛”

    рдирдВрдмрд░ 18 рдЕрдЬрдирдмреА рддреБрдо рдЬрд╛рдиреЗ…рдХрд┐рд╢реЛрд░…рд╣рдо рд╕рдм рдЙрд╕реНрддрд╛рдж рд╣реИрдВ”

    рдирдВрдмрд░ 04 рдЬреНрдпреЛрдд рд╕реЗ рдЬреНрдпреЛрдд рдЬрдЧрд╛рддреЗ рдЪрд▓реЛ … рд▓рддрд╛-рдореБрдХреЗрд╢ “рд╕рдВрдд рдЬреНрдЮрд╛рдиреЗрд╢реНрд╡рд░”

    рдирдВрдмрд░ 02 рдЪрд╛рд╣реБрдВрдЧрд╛ рдореИрдВ рддреБрдЭреЗтАж.рд░рдлреА “рджреЛрд╕реНрддреА”

    ——————————————————

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓…1966

    1966 рдореЗрдВ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдФрд░  “рдЕрдиреНрдп рдкреНрд░рдореБрдЦ рддрддреНрдХрд╛рд▓реАрди рд╕рдВрдЧреАрддрдХрд░реЛрдВ ” рдХреА рд╕рдВрдЧреАрддрдордп рд╣рд┐рдЯ рдлрд┐рд▓реНрдореЗ 

    рдЦрдпреНрдпрд╛рдо:- –рдЖрдЦрд░реА рдЦрдд 

    рдЖрд░ рдбреА рдмрд░реНрдорди:- рддреАрд╕рд░реА рдордВрдЬрд┐рд▓, рдкрддрд┐ рдкрддреНрдиреАред

    рд░реЛрд╢рди:тАФрджрд╛рджреАрдорд╛,-рдордорддрд╛

    рдПрд╕ рдбреА рдмрд░реНрдорди:- рдорд╛рд░реНрдЧрджрд░реНрд╢рдХ

    рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди:- — рд╕реВрд░рдЬ,-рд▓рд╡ рдИрди рдЯреЛрдХреНрдпреЛ 

    рдорджрди рдореЛрд╣рди:- –рдореЗрд░рд╛ рд╕рдпрд╛

    рдУ рдкреА рдиреИрдпреНрдпрд░:– рдпреЗ рд░рд╛рдд рдлрд┐рд░ рдирд╛ рдЖрдПрдЧрд╛

    рд░рд╡рд┐:- рджрд╕ рд▓рд╛рдЦ, рджреЛ рдмрджрдирд┐рдпрд╛рдБ

    рд╣реЗрдордВрдд рдХреБрдорд╛рд░:- –рдЕрдиреБрдкрдорд╛

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓:–рдореЗрд░реЗ рд▓рд╛рд▓,- рдЖрдП рджрд┐рди рдмрд╣рд╛рд░ рдХреЗ,-рдкреНрдпрд╛рд░ рдХрд┐рдП рдЬрд╛,-рдЖрд╕рд░рд╛,-рд╕реМ рд╕рд╛рд▓ рдмрд╛рдж,-рд▓рд╛рдбрд▓рд╛,-рджрд┐рд▓реНрд▓рдЧреА,-рдЫреЛрдЯрд╛ рднрд╛рдИ..-рдирд╛рдЧ рдордВрджрд┐рд░ред

    рдЗрд╕ рд╕рд╛рд▓ рд╕реЗ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдиреЗ рд╢реАрд░реНрд╖ рд╕реНрдерд╛рди рд╣рд╛рд╕рд┐рд▓ рдХрд░рдирд╛ рд╢реБрд░реВ рдХрд░ рджрд┐рдпрд╛..рдЙрдкрд░реЛрдХреНрдд рдлрд┐рд▓реНрдореЛрдВ рдХреЗ рдЧрд╛рдиреЗ рдЕрднреА рднреА рд▓реЛрдХрдкреНрд░рд┐рдп рд╣реИрдВред

    рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди “рд╕реВрд░рдЬ” рдХреЗ рд╕рдВрдЧреАрдд рдХреЗ рд▓рд┐рдП рд╕рд░реНрд╡рд╢реНрд░реЗрд╖реНрда рд╕рдВрдЧреАрддрдХрд╛рд░ рдХрд╛ рдкреБрд░рд╕реНрдХрд╛рд░ рдЬреАрддрд╛, рдПрд╕ рдбреА рдмрд░реНрдорди рдХреА “рдЧрд╛рдЗрдб” рдФрд░ рд░рд╡рд┐ рдХреА “рджреЛ рдмрджрди” рдирд╛рдорд╛рдВрдХрд┐рдд рдХрд┐рдпреЗ рдереЗ ред

    резрепремрем  рд╡рд╛рд░реНрд╖рд┐рдХ рдмрд┐рдирд╛рдХрд╛ рдЧреАрддрдорд╛рд▓рд╛ рдФрд░ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рдЧрд╛рдиреЗред .. (рдХреБрд▓ 32 рдЧрд╛рдиреЗ)

    рдирдВрдмрд░ 26 рджрд┐рди рдЬрд╡рд╛рдиреА рдХреА рдЪрд╛рд░ рдпрд╛рд░ ..рдХрд┐рд╢реЛрд░ .. “рдкреНрдпрд╛рд░ рдХрд┐рдП рдЬрд╛”

    рдирдВрдмрд░ 24 рдЧреЛрд░реЗ рд╣рд╛рдереЛ рдкрд░ рдирд╛ рдЬрд╝реБрд▓реНрдо..рд░рдлрд╝реА..рдкреНрдпрд╛рд░ рдХрд┐рдП рдЬрд╛”

    рдирдВрдмрд░ 20 рдкрд╛рдпрд▓ рдХреА рдЭрдВрдХрд╛рд░ рд░рд╕реНрддреЗ .. рд▓рддрд╛ .. “рдореЗрд░реЗ рд▓рд╛рд▓”

    рдирдВрдмрд░ 14 рдпреЗ рдЖрдЬ рдХрд▓ рдХреЗ рд▓рдбрд╝рдХреЗ .. рдЙрд╖рд╛ “рджрд┐рд▓реНрд▓рдЧреА”

    ——————————————————-

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓…1967

    резрепремрен рдореЗрдВ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдФрд░  “рдЕрдиреНрдп рдкреНрд░рдореБрдЦ рддрддреНрдХрд╛рд▓реАрди рд╕рдВрдЧреАрддрдХрд░реЛрдВ ” рдХреА рд╕рдВрдЧреАрддрдордп рд╣рд┐рдЯ рдлрд┐рд▓реНрдореЗ 

    рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди: – – рдЫреЛрдЯреА рд╕реА рдореБрд▓рд╛рдХрдд,  рдПрди рдЗрд╡рдирд┐рдВрдЧ рдЗрди  рдкреЗрд░рд┐рд╕, рдЕрд░рд╛рдЙрдВрдб рдж рд╡рд░реНрд▓реНрдб  

    рдЖрд░ рдбреА рдмрд░реНрдорди:- — рдмрд╣рд╛рд░реЛрдВ рдХреЗ рд╕рдкрдиреЗ

    рдПрд╕ рдбреА рдмрд░реНрдорди:- — рдЬреНрд╡реЗрд▓ рдереАрдл

    рд░рд╡рд┐:- — рд╣рдорд░рд╛рдЬрд╝

    рдХрд▓реНрдпрд╛рдгрдЬреА-рдЖрдирдВрджрдЬреА:- –рдЙрдкрдХрд╛рд░

    рд░реЛрд╢рди:- –рдмрд╣реВ рдмреЗрдЧрдо, рдиреВрд░-рдЬрд╣рд╛рдБ

    рдиреМрд╢рд╛рдж:- –рд░рд╛рдо рдФрд░ рд╢реНрдпрд╛рдо

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓:- рдорд┐рд▓рди,-рд╢рд╛рдЧрд┐рд░реНрдж,-рдлрд░реНрдЬ,-рдкрддреНрдерд░ рдХреЗ рд╕рдирдо,-рдЕрдиреАрддрд╛,-рдирд╛рдЗрдЯ рдЗрди рд▓рдВрджрди,-рдЬрд╛рд▓,- рддрдХрджреАрд░, рдЫреИрд▓рд╛рдмрд╛рдмреВ, рдорд┐рд▓рди рдХреА рд░рд╛рддред 

    рдпрд╣ рдПрдХ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓, рдПрд▓.рдкреА. рдХреА рдПрдХ  “рд▓рд╣рд░” рдпрд╛ тАЬрд╕реБрдирд╛рдореАтАЭ рдереАред “рд╕рд╛рдкреНрддрд╛рд╣рд┐рдХ рдмрд┐рдирд╛рдХрд╛ рдЧреАрдд рдорд╛рд▓рд╛” 70% рдПрд▓.рдкреА. рдЧреАрддреЛрдВ рд╕реЗ рднрд░рд╛ рд╣реБрдЖ рдерд╛.

    рдлрд╝рд░реНрдЬрд╝” рд╕рдмрд╕реЗ рдкрд╣рд▓реА рд╕рдлрд▓ рдЧреЛрд▓реНрдбрди рдЬреБрдмрд▓реА ( релреж рд╣рдлреНрддреЗ ) рд╣рд┐рдЯ рдлрд┐рд▓реНрдо рдереА рдЬрд┐рд╕рдиреЗ рдЬреАрддреЗрдВрджреНрд░ рдХреЛ рдПрдХ рд╕реНрдЯрд╛рд░ рдмрдирд╛ рджрд┐рдпрд╛редрдмрд╛рдж рдореЗрдВ тАЬрд╢рд╛рдЧрд┐рд░реНрджтАЭ рдиреЗ рднреА рднрд╛рд░рдд рдХреЗ рдмрдбрд╝реЗ рдмрдбрд╝реЗ рд╢рд╣рд░реЛрдВ рдореЗрдВ рдЧреЛрд▓реНрдбрди рдЬреБрдмрд▓реА рдордирд╛рдИредтАЭрдорд┐рд▓рдитАЭ рдХреЗ рдЧрд╛рдиреЛрдВ рдиреЗ рджреЗрд╢рднрд░ рдореЗрдВ рдзреВрдо рдордЪрд╛рдИред 

    рд╕рд╣реА рдорд╛рдпрдиреЗ рдореЗрдВ рд╕рд╛рд▓ 1967 рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХрд╛ рд╣реИ, рдЙрдиреНрд╣реЛрдВрдиреЗ рди рдХреЗрд╡рд▓ рд╣рд┐рдВрджреА рдлрд┐рд▓реНрдо рд╕рдВрдЧреАрдд рдореЗрдВ рдирдВрдмрд░ рдПрдХ рдХреА рд╕реНрдерд┐рддрд┐ рдХреА рдкреБрд╖реНрдЯрд┐ рдХреА, рдмрд▓реНрдХрд┐ рд╡рд┐рд╡рд┐рдзрддрд╛ рдХреЗ рд╕рд╛рде рдПрдХ рдХреЗ рдмрд╛рдж рдПрдХ рд╕рдВрдЧреАрддрдордп рд╣рд┐рдЯ рдлрд┐рд▓реНрдореЗрдВ рдЖрдпреА. 

    рдЗрд╕ рд╡рд┐рдЬрдпреА рдЙрдкрд▓рдмреНрдзрд┐ рдХреЗ рдмрд╛рдж, рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдФрд░ рд╕рдлрд▓рддрд╛ рдмрд┐рдирд╛ рдХрд┐рд╕реА рд░реБрдХрд╛рд╡рдЯ рд╕реЗ рдЕрдЧрд▓реЗ рейрел рд╕рд╛рд▓ рддрдХ рдЪрд▓реА.

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд╛рд░реЗрд▓рд╛рд▓ рдХреЛ  “рдорд┐рд▓рди” рдХреЗ рд▓рд┐рдП рд╕рд░реНрд╡рд╢реНрд░реЗрд╖реНрда рд╕рдВрдЧреАрддрдХрд╛рд░ рдХрд╛ рдЕрдкрдирд╛ рджреВрд╕рд░рд╛ рдлрд┐рд▓реНрдордлреЗрдпрд░ рдкреБрд░рд╕реНрдХрд╛рд░ рдЬреАрддрд╛ред  рдХрд▓реНрдпрд╛рдгрдЬреА-рдЖрдирдВрджрдЬреА рдХреЛ “рдЙрдкрдХрд╛рд░” рдФрд░ рд░рд╡рд┐ рдХреЛ “рд╣рдорд░рд╛рдЬ” рдХреЗ рд▓рд┐рдП рдирд╛рдорд╛рдВрдХрди рд╣реБрдЖ рдерд╛. 

    рдЕрдм рдпрд╣ рд╡рд╣ рд╕рдордп рдерд╛ рдЬрдм рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХрд╛ рд╕рдВрдЧреАрдд рд╣рд░ рд╕рдлрд▓ рдлрд┐рд▓реНрдо рдХрд╛ рдПрдХ рдЕрдирд┐рд╡рд╛рд░реНрдп рдШрдЯрдХ рдмрди рдЧрдпрд╛ред рдмрдбрд╝реЗ рдмреИрдирд░, рдкреНрд░рдореБрдЦ рдирд┐рд░реНрдорд╛рддрд╛ рдФрд░ рдирд┐рд░реНрджреЗрд╢рдХ рдЪрд╛рд╣рддреЗ рдереЗ рдХрд┐ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рд╣реА рдЙрдирдХреА  рдлрд┐рд▓реНрдореЛрдВ рдХреЗ рд▓рд┐рдП рд╕рдВрдЧреАрдд рджреЗред

    резрепремрен рд╡рд╛рд░реНрд╖рд┐рдХ рдмрд┐рдирд╛рдХрд╛ рдЧреАрддрдорд╛рд▓рд╛ рдФрд░ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рдЧрд╛рдиреЗред .. (рдХреБрд▓ рейрей  рдЧрд╛рдиреЗ)

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рд╕рдВрдЧреАрдд рдирд┐рд░реНрджреЗрд╢рди рдореЗрдВ рдорд┐рд▓рди рдХреЗ рдЧреАрддреЛрдВ рдиреЗ 1967 рдореЗрдВ рдкреВрд░реЗ рджреЗрд╢ рдореЗрдВ рддрд╣рд▓рдХрд╛ рдордЪрд╛ рджрд┐рдпрд╛ рдФрд░ рдмрд┐рдирд╛рдХрд╛ рдЧреАрддрдорд╛рд▓рд╛ 1967 рдХреЛрдИ рдЕрдкрд╡рд╛рдж рдирд╣реАрдВ рдерд╛ред

    рдирдВрдмрд░ 33 рдпреЗ рдХрд▓реА рдЬрдм рддрд▓рдХ  ..рд▓рддрд╛ – рдорд╣реЗрдВрджреНрд░ “рдЖрдП рджрд┐рди рдмрд╣рд╛рд░ рдХреЗ”

    рдирдВрдмрд░ 24 рдорд╛рдБ рдореБрдЭреЗ рдЕрдкрдиреЗ рдЖрдБрдЪрд▓ .. рд▓рддрд╛ .. “рдЫреЛрдЯрд╛ рднрд╛рдИ”

    рдирдВрдмрд░ 23 рдореИрдВ рджреЗрдЦреБ рдЬрд┐рд╕ рдФрд░..рд▓рддрд╛..”рдЕрдиреАрддрд╛”

    рдирдВрдмрд░ 21 рдореЗрд░рд╛ рдпрд╛рд░ рдмрдбрд╝рд╛ рд╢рд░реНрдорд┐рд▓рд╛ .. рд░рдлреА .. “рдорд┐рд▓рди рдХреА рд░рд╛рдд”

    рдирдВрдмрд░ 17 рдореБрдмрд╛рд░рдХ рд╣реЛ рд╕рдмрдХреЛ..рдореБрдХреЗрд╢..’рдорд┐рд▓рди’

    рдирдВрдмрд░ 13 рдореЗрд░реЗ рджреБрд╢реНрдорди рддреВ .. рд░рдлрд╝реА .. “рдЖрдП рджрд┐рди рдмрд╣рд╛рд░ рдХреЗ”

    рдирдВрдмрд░  07рдирд╛ рдмрд╛рдмрд╛ рдирд╛ рдмрд╛рдмрд╛..рд▓рддрд╛..рдЕрдиреАрддрд╛тАЭ

    рдирдВрдмрд░ 06 рд╣рдо рддреБрдо рдпреБрдЧ рдпреБрдЧ .. рд▓рддрд╛-рдореБрдХреЗрд╢ .. “рдорд┐рд▓рди”

    рдирдВрдмрд░ 01 рд╕рд╛рд╡рди рдХрд╛ рдорд╣рд┐рдирд╛  ..рд▓рддрд╛-рдореБрдХреЗрд╢ .. “рдорд┐рд▓рди”

    ————————————————–

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓тАж.1968

    резрепремрео рдореЗрдВ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдФрд░  “рдЕрдиреНрдп рдкреНрд░рдореБрдЦ рддрддреНрдХрд╛рд▓реАрди рд╕рдВрдЧреАрддрдХрд░реЛрдВ ” рдХреА рд╕рдВрдЧреАрддрдордп рд╣рд┐рдЯ рдлрд┐рд▓реНрдореЗ 

    рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди:–рдмреНрд░рдореНрд╣рд╛рдЪрд╛рд░реА,-рдЭреБрдХ рдЧрдпрд╛ рдЖрд╕рдорд╛рди,-рдореЗрд░реЗ рд╣реБрдЬреВрд░,-рд╢рд┐рдХрд╛рд░

    рд░рд╡рд┐:–рдиреАрд▓ рдХрдорд▓,-рджреЛ рдХрд▓рд┐рдпрд╛рдВ,-рдЖрдВрдЦреЗред

    рдХрд▓реНрдпрд╛рдгрдЬреА-рдЖрдирдВрджрдЬреА:- –рд╕рд░рд╕реНрд╡рддреАрдЪрдВрджреНрд░

    рдУ рдкреА рдиреИрдпрд░:– рдХрд╣реАрдВ рджрд┐рди рдХрд╣реАрдВ рд░рд╛рдд

    рдЖрд░ рдбреА рдмрд░реНрдорди:- –рдкрдбрд╝реЛрд╕рди

    рдЙрд╖рд╛ рдЦрдиреНрдирд╛ :- рдлрд░реЗрдмреА

    рд╕рдкрди рдЬрдЧрдореЛрд╣рди:- рддреЗрд░реА рддрд▓рд╛рд╢ рдореИрдВ

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓:–рдореЗрд░реЗ рд╣рдорджрдо рдореЗрд░реЗ рджреЛрд╕реНрдд,-рдЗрдЬреНрдЬрдд,-рд░рд╛рдЬрд╛ рдФрд░ рд░реИрдВрдХ,-рдмрд╣рд╛рд░реЛрдВ рдХреА рдордВрдЬрд┐рд▓, рд░реЛрдо рдореЗрдВ рдЬрд╛рд╕реВрд╕ред

    рдЗрд╕ рд╕рд╛рд▓ (резрепремрео),  рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди рдФрд░ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдЧреАрддреЛрдВ рдХреЗ рдмреАрдЪ рдПрдХ рдЕрдЪреНрдЫреА / рддрдЧрдбрд╝реА рд╕рдВрдЧреАрдд рдкреНрд░рддрд┐рдпреЛрдЧрд┐рддрд╛ рдереАред рд╕рдВрдЧреАрдд рдХреА рддрд╛рдЬрдЧреА рдХреЗ рдХрд╛рд░рдг рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рдЧреАрддреЛрдВрдХрд╛ рдмреЛрд▓рдмрд╛рд▓рд╛ рд░рд╣рд╛. 

    рд╣рд╛рд▓рд╛рдВрдХрд┐ рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди рдиреЗ рд░рд╡рд┐ рдХреА “рдЖрдВрдЦреЗрдВ” рдФрд░ рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди рдХреА “рджреАрд╡рд╛рдирд╛” рдХреЛ рдкрдЫрд╛рдбрд╝рддреЗ рд╣реБрдП “рдмреНрд░рд╣реНрдордЪрд╛рд░реА” рдХреЗ рд▓рд┐рдП рдлрд┐рд▓реНрдордлреЗрдпрд░ рдкреБрд░рд╕реНрдХрд╛рд░ рдЬреАрддрд╛ред

    резрепремрео рд╡рд╛рд░реНрд╖рд┐рдХ рдмрд┐рдирд╛рдХрд╛ рдЧреАрддрдорд╛рд▓рд╛ рдФрд░ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рдЧрд╛рдиреЗред .. (рдХреБрд▓ 32 рдЧрд╛рдиреЗ)

    рдирдВрдмрд░  32 рдорд╕реНрдд рдмрд╣рд╛рд░реЛрдВ рдХрд╛ рдореИрдВ..рд░рдлрд╝реА..”рдлрд╝рд░реНрдЬ”

    рдирдВрдмрд░ 24  рдЫрд▓рдХрд╛рдП рдЬрд╛рдо..рд░рдлрд╝реА..’рдореЗрд░реЗ рд╣рдорджрдо рдореЗрд░реЗ рджреЛрд╕реНрдд’

    рдирдВрдмрд░ 22  рдмрдбрд╝реЗ рдорд┐рдпрд╛рдВ рджреАрд╡рд╛рдиреЗ .. “рд╢рд╛рдЧрд┐рд░реНрдж”

    рдирдВрдмрд░ 20  рдорд╣рдмреВрдм рдореЗрд░реЗ..рд▓рддрд╛-рдореБрдХреЗрд╢..’рдкрддреНрдерд░ рдХреЗ рд╕рдирдо’

    рдирдВрдмрд░ 16 рдореЗрд░рд╛ рдирд╛рдо рд╣реИ рдЪрдореЗрд▓реА .. рд▓рддрд╛ .. “рд░рд╛рдЬрд╛ рдФрд░ рд░реИрдВрдХ”

    рдирдВрдмрд░ 14 рдЪрд▓реЛ рд╕рдЬрдирд╛ .. рд▓рддрд╛ .. “рдореЗрд░реЗ рд╣рдорджрдо рдореЗрд░реЗ рджреЛрд╕реНрдд”

    рдирдВрдмрд░ 11 рдмрддрд╛ рджреВ рдХреНрдпрд╛ рд▓рд╛рдирд╛..рд▓рддрд╛..”рдкрддреНрдерд░ рдХреЗ рд╕рдирдо”

    рдирдВрдмрд░ 01 рджрд┐рд▓ рд╡рд┐рд▓ рдкреНрдпрд╛рд░ рд╡реНрдпрд╛рд░ .. рд▓рддрд╛ .. “рд╢рд╛рдЧрд┐рд░реНрдж”

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓…..1969

    резрепремрео рдореЗрдВ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдФрд░  “рдЕрдиреНрдп рдкреНрд░рдореБрдЦ рддрддреНрдХрд╛рд▓реАрди рд╕рдВрдЧреАрддрдХрд░реЛрдВ ” рдХреА рд╕рдВрдЧреАрддрдордп рд╣рд┐рдЯ рдлрд┐рд▓реНрдореЗ 

    рдЪрд┐рддреНрд░рдЧреБрдкреНрдд:- –рд╡рд╛рд╕рдирд╛, –рдФрд▓рд╛рджреА

    рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди:- –рдХрдиреНрдпрд╛рджрд╛рди, –рд░рд╛рдЬрдХреБрдорд╛рд░

    рдХрд▓реНрдпрд╛рдгрдЬреА-рдЖрдирдВрджрдЬреА:–рд╕реБрд╣рд╛рдЧ рд░рд╛рдд,-рд╣рд╕реАрдирд╛ рдорд╛рди рдЬрд╛рдПрдЧреА,-рд╡рд┐рд╢реНрд╡рд╛рд╕,-рдорд╣рд▓

    рдЖрд░ рдбреА рдмрд░реНрдорди:- рд╡рд╛рд░рд┐рд╕, рдЕрднрд┐рд▓рд╛рд╖рд╛, рдкреНрдпрд╛рд░ рдХрд╛ рдореМрд╕рдоред

    рдорджрдирдореЛрд╣рди:- –рдЪрд┐рд░рд╛рдЧ

    рдиреМрд╢рд╛рдж:–рд╕рд╛рдереА,-рд╕рдВрдШрд░реНрд╖ред

    рдУ рдкреА рдирдпреНрдпрд░:– рдХрд┐рд╕реНрдордд, –рд╣рдорд╕рд╛рдпрд╛, –рд╕рдВрдмрдВрдз

    рд░рд╡рд┐:- –рдПрдХ рдлреВрд▓ рджреЛ рдорд▓рд┐рдХ

    рдПрд╕ рдбреА рдмрд░реНрдорди:- рдЖрд░рд╛рдзрдирд╛

    рд░реЛрд╢рди:- — рдЕрдиреЛрдЦреА рд░рд╛рдд

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓..рд╡рд░реНрд╖ 1969 рдореЗрдВ 17 рдлрд┐рд▓реНрдореЛрдВ рдХреЗ рд▓рд┐рдП рд╕рдВрдЧреАрдд рджрд┐рдпрд╛..рдФрд░ рдЙрдирдХреЗ рдмрдирд╛рдП рдЧрдП рдЧреАрддреЛрдВ рдореЗрдВ рд╕реЗ 90% рд╣рд┐рдЯ, рдпрд╛рджрдЧрд╛рд░, рдордзреБрд░ рдФрд░ рдЕрднреА рднреА рд▓реЛрдХрдкреНрд░рд┐рдп рд╣реИрдВ … “рдЖрд░рд╛рдзрдирд╛” рдХреЗ рдЧрд╛рдиреЛ рдХреА рд▓рд╣рд░ рднреА рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рдЧрд╛рдиреЛрдВ рдХреА рд╕реБрдирд╛рдореА рдХреЛ рднреА рдХреБрдЫ рдЦрд╛рд╕ рдирд╣реАрдВ рдХрд░ рд╕рдХреАред рдПрд▓.рдкреА. рдХреЗ рдЧреАрддреЛрдВ рдХрд╛ рдЬрд╛рджреВ рдмрд░рдХрд░рд╛ рд░рд╣рд╛. 

    рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреА рд╣рд┐рдЯ рдлрд╝рд┐рд▓реНрдореЗрдВ. — рдЖрдпрд╛ рд╕рд╛рд╡рди рдЭреВрдо рдХреЗ, –рдЗрдВрддреЗрдХрд╝рд╛рдо, –рджреЛ рд░рд╛рд╕реНрддреЗ, — рдЬреАрдиреЗ рдХреА рд░рд╛рд╣, –рдзрд░рддреА рдХрд╣реЗ рдкреБрдХрд╛рд░ рдХреЗ, –рд╕рддреНрдпрдХрдо, –рд╕рд╛рдЬрди, –рдкреНрдпрд╛рд╕реА рд╢рд╛рдо, — рдЬрд┐рдЧрд░реА рджреЛрд╕реНрдд, –рдЖрдВрд╕реВ рдмрди рдЧрдП рдлреВрд▓…

    рд▓рдХреНрд╖реНрдореА-рдкреНрдпрд╛рд░реЗ рдХреА ‘рдХреНрд▓реАрди рд╕реНрд╡реАрдк’ рд▓рдЧрд╛рддрд╛рд░ рддреАрд╕рд░реЗ рд╕рд╛рд▓ рдЬрд╛рд░реА рд░рд╣реАред рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рдЧрд╛рдиреЗ рдФрд░ рдлрд┐рд▓реНрдореЗрдВ рдЖрдиреЗ рд╡рд╛рд▓реЗ реирел рд╕рд╛рд▓реЛрдВ рддрдХ рдирд┐рдпрдорд┐рддрддрд╛ рдХреЗ рд╕рд╛рде рдЪрд╛рд░реНрдЯ рдкрд░ рд╣рд┐рдЯ рд╣реЛрддреА рд░рд╣реАрдВред 

    рдФрд░ рдХрд┐рд╢реЛрд░ рдХреБрдорд╛рд░ рдХрд╛ рдпреБрдЧ рдХреА рд╢реБрд░рдЖрддред рдХрд┐рд╢реЛрд░ рдХреБрдорд╛рд░ рдХрд╛ рдпреБрдЧ рднреА рдЕрдм рд╢реБрд░реВ рд╣реЛ рдЧрдпрд╛ рд╣реИред рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдиреЗ рднреА рдЗрд╕ рд╕рд╛рд▓ рдХрд┐рд╢реЛрд░ рдХреБрдорд╛рд░  рдХреЛ рдХреБрдЫ рдЕрдЪреНрдЫреЗ рдЧрд╛рдиреЗ рджрд┐рдП рд╣реИрдВред “рджреЛ рд░рд╛рд╕реНрддреЗ”, (рдЦрд┐рдЬрд╛ рдХреЗ рдлреВрд▓) “рдЖрдВрд╕реВ рдмрди рдЧрдП рдлреВрд▓”, (рдЬрд╛рдиреЗ рдХреИрд╕рд╛ рд╣реИ рдореЗрд░рд╛ рджреАрд╡рд╛рдирд╛..рдЖрд╢рд╛ рдХреЗ рд╕рд╛рде), рдФрд░ рд╣реГрд╖рд┐рдХреЗрд╢ рдореБрдЦрд░реНрдЬреА рдХреА “рд╕рддреНрдпрдХрд╛рдо” (рдЬрд┐рдВрджрдЧреА рд╣реИ рдХреНрдпрд╛, рдореБрдХреЗрд╢, рдорд╣реЗрдВрджреНрд░ рдХрдкреВрд░ рдХреЗ рд╕рд╛рде)….. 

    рдЬреАрдиреЗ рдХреА рд░рд╛рд╣” рдХреЗ рд╕реБрдкрд░рд╣рд┐рдЯ рд╕рдВрдЧреАрдд рдХреЗ рд▓рд┐рдП рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдиреЗ рдЕрдкрдиреА рддреАрд╕рд░реА рдлрд┐рд▓реНрдордлреЗрдпрд░ рдкреБрд░рд╕реНрдХрд╛рд░ рдЯреНрд░реЙрдлреА рдЬреАрддреАред

    рдПрд╕ рдбреА рдмрд░реНрдорди рдХреА “рдЖрд░рд╛рдзрдирд╛” рдФрд░ рд╢рдВрдХрд░-рдЬрдпрдХрд┐рд╢рди рдХреА “рдЪрдВрджрд╛ рдФрд░ рдмрд┐рдЬрд▓реА” рдХреЗ рд▓рд┐рдП рдирд╛рдорд╛рдВрдХрди рд╣реБрдЖ рдерд╛. 

    резрепремреп  рд╡рд╛рд░реНрд╖рд┐рдХ рдмрд┐рдирд╛рдХрд╛ рдЧреАрддрдорд╛рд▓рд╛ рдФрд░ рд▓рдХреНрд╖реНрдореАрдХрд╛рдВрдд-рдкреНрдпрд╛рд░реЗрд▓рд╛рд▓ рдХреЗ рдЧрд╛рдиреЗред .. (рдХреБрд▓ 32 рдЧрд╛рдиреЗ)

    рдирдВрдмрд░ 31 рд╡реЛ рдХреМрди рд╣реИ .. рд▓рддрд╛-рдореБрдХреЗрд╢ … “рдЕрдВрдЬрдирд╛”

    рдирдВрдмрд░ 25 рдорд╣рдмреВрдмрд╛ рдорд╣рдмреВрдмрд╛ .. рд░рдлрд╝реА .. “рд╕рд╛рдзреБ рдФрд░ рд╢реИрддрд╛рди”

    рдирдВрдмрд░ 23 рд░реЗрд╢рдо рдХреА рдбреЛрд░реА..рд▓рддрд╛-рд░рдлрд╝реА..’рд╕рд╛рдЬрди’

    рдирдВрдмрд░ 22 рд░реБрдХ рдЬрд╛ рдЬрд░рд╛ … рд▓рддрд╛ .. “рдЗрдЬреНрдЬрдд”

    рдирдВрдмрд░ 19 рдЖрдпрд╛ рд╕рд╛рд╡рди рдЭреВрдо рдХреЗ..рд▓рддрд╛-рд░рдлреА..рдЖрдпрд╛ рд╕рд╛рд╡рди рдЭреВрдо рдХреЗ’

    рдирдВрдмрд░ 18 рдмрдбрд╝реА рдорд╕реНрддрд╛рдиреА рд╣реИ..рд░рдлрд╝реА..’рдЬреАрдиреЗ рдХреА рд░рд╛рд╣’

    рдирдВрдмрд░ 16 рджрд┐рд▓ рдореЗрдВ рдХреНрдпрд╛ рд╣реИ..рд▓рддрд╛-рд░рдлрд╝реА..’рдЬрд┐рдЧрд░реА рджреЛрд╕реНрдд’

    рдирдВрдмрд░ 12 рдПрдХ рддреЗрд░рд╛ рд╕рд╛рде. рд▓рддрд╛-рд░рдлрд╝реА.. “рд╡рд╛рдкрд╕”

    рдирдВрдмрд░ 09 рдЬреЗ рд╣рдо рддреБрдо рдЪреЛрд░реА рд╕реЗ..рд▓рддрд╛-рдореБрдХреЗрд╢.. “рдзрд░рддреА рдХрд╣реЗ рдкреБрдХрд╛рд░ рдХреЗ”

    рдирдВрдмрд░ 06 рдЖ рдореЗрд░реЗ рд╣рдордЬреЛрд▓реА рдЖ..рд▓рддрд╛-рд░рдлреА..’ рдЬреАрдиреЗ рдХреА рд░рд╛рд╣’

    рдирдВрдмрд░ 01 рдХреИрд╕реЗ рд░рд╣реВрдВ рдЪреБрдк, .. рд▓рддрд╛ .. “рдЗрдВрддреЗрдХрд╛рдотАЭ

    рдЕрдЬрдп рдкреМрдВрдбрд░рд┐рдХ 

    рд╡рдбрд╝реЛрджрд░рд╛ 

  • BIRTHDAY Celebration Is “ON”. 3rd September. Happy Birthday PYARELAL (Laxmikant-Pyarelal)

    BIRTHDAY Celebration Is “ON”. 3rd September. Happy Birthday PYARELAL (Laxmikant-Pyarelal)

    BIRTHDAY Celebration Is “ON”. 3rd September.                                                                                       Happy Birthday PYARELAL (Laxmikant-Pyarelal)

    ItтАЩs now 57 years. I was an 8-year-old studying in the Indian city of virtuoso TANSEN, Gwalior. Radio Ceylon, All India Radio, and Vividh Bharati were playing тАШMain Nanhasa Chhota Sa Bachha HounтАЩ  (from the movie ‘Harishchandra Taramati, 1963′) , тАШJyot Se Jyot Jagate ChaloтАЩ, and   тАШEk Do Teen ChaarтАЩ (from the movie ‘Sant Gyaneshwar‘, 1964). Both the films have the music by the newly arrived, young, talented musicians, Laxmikant-Pyarelal. 

    Growing up in the same era as that of child artists from these films, the songs, listed above, made a huge impact on my musical ears.  I distinctly remember one thing тАФ a downpour of coins on the screen for тАЩJyot Se Jyot Jagate ChaloтАЩ, which went on to become my very first all-time favorite without having an idea that it was Laxmikant-Pyarelal’s music. 

    From 1963 to 1998, without any discontinuity, constantly, my childhood days, my school days, my college days and few years of working (job) in India as well as abroad, have witnessed many memorable hit songs from Laxmikant-Pyarelal. 

    Simplicity, Commitment and the quality of Unconquered Versatility gave Laxmikant- Pyarelal a Supreme Staying Power of 35 years in Hindi Film Music.

    Laxmikant-PyarelalтАЩs tunes used to be very simple but at the same time they used to be extremely sweet, catchy and melodious.

    There are many interesting aspects of Laxmikant-Pyarelal music / songs. 

    1 The duoтАЩs songs have Indian touch, raag based, with MELODY. 

    2 The songs with the simple tunes are decorated with canorous ORCHESTRA arrangements, mostly in western style. Laxmikant-Pyarelal would add a few ingredients in the orchestra that would help the song become hit. Most of the тАЬInterludesтАЭ ( musical glimpses between тАЬmukhdaтАЭ and тАЬantaraтАЭ) are blended with western style, by giving the тАШsymphonyтАЩ touch. LP were masters in synchronising various instruments to illuminate the orchestra in тАШpreludesтАЩ, тАШinterludesтАЩ and тАШpostludesтАЩ. Most interestingly there is no repetition.

    3  RHYTHM. Most of the tunes are Indian, Folkish but are decorated mellifluously with the mind-blowing RHYTHM using  DHOLAK.  In many songs the тАЬInterludesтАЭ are blended with a different rhythm than that of the тАШmukhadaтАЩ of the song. 

    Laxmikant-Pyarelal music >>> тАЬтАЭтАЭof the common people, for the common people and inspired by the common peopleтАЭтАЭтАЭ”. It was a perfect music for any successful film to have.

    Laxmikant-Pyarelal :: The Most Successful Music Directors Of Bollywood Music. 1963 to 1998, 503 films, 2850 songs,  72 songwriters and 157 singers.

    LONG LIVE  LP MUSIC. 

    Ajay Poundarik Atlanta (Georgia) USA